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Is it "cooler" to play a 4 string bass?

So I've played 5 strings for years and have about 6 of those basses sitting in my living room right now. But I just bought a nice Fender P bass with flats from the classifieds last night because of what I'm starting to notice.

Over the past few years I've seen a lot of "cool" young bands seem to only have bassists with 4 stringers. I know that "cool" is totally subjective, but they're usually bands that stir up a good bit of publicity in the pop and indie rock worlds.

Bands like...

Vulfpeck with Joe Dart. He always has a variety of basses, but they are only 4 strings:



Michael League of Snarky Puppy is almost always seen with one of his classic P basses:



The band Pomplamoose:



The 1975:



Greta Van Fleet:



Even the brilliant music educator Adam Neely has switched over to a 4 string P bass with flats:



Of course, these are just a handful of modern bands and players. We could make a list miles long of all the bands that have 4 string bassists.

I primarily play 5 strings and my jazz ensembles band leader constantly rags on me for having a 5 string bass. There are of course, lots of cats in Nashville who play 5 and 6 string basses, but the trend seems to be toward playing a 4 string P bass with flats.

A few months ago I even went out and got a Fender American Pro 5 string and put Chromes on it. I love the bass, but I still get strange looks from people. It's hard to believe that in the year 2018 there seems to be a bias against bassists with multiple strings. You saw them everywhere in the 80s and 90s, but nowadays you seem to only see extended range basses in the Jazz/Fusion world, Gospel, and in Metal bands. Hardly ever do you see them on a stage with a band that's considered "modern" and "cool".

So is it just me, or is anyone else noticing a trending bias against extended range basses in favor of the 4 string? Even more interestingly, do you feel that bringing more than 4 strings to an audition might cost you the gig?


It’s only cool if it’s the right tool for the job. I’ve experienced no bias one way or another. There is still a lot of music written today that requires a 5th string.
 
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To answer the original question, the trend with a lot of younger players these days is to play a P-bass. Just like skinny jeans, long beards, tattoos, David Beckham style hair cuts.... 4 string Fender P bass. I network with a lot of musicians, and younger players that may have played Music Man's, Jazz basses, Ibanez's...they are all ditching them for 4 string P basses because that is what's considered "cool" these days
 
I’ll give as an answer the title of another thread ... If 4 strings were enough for Jaco ....

And 6 strings are enough for Anthony Jackson. You're not understanding that being cool isn't about the number of strings. It's about what you play and how you behave.

If he was here today Jaco would shake his head at such comments.
 
And 6 strings are enough for Anthony Jackson. You're not understanding that being cool isn't about the number of strings. It's about what you play and how you behave.

If he was here today Jaco would shake his head at such comments.
Ah yes ... and who are you the advocate of the national association of 5 and 6 strings bass players? For you Anthony Jackson is cool ? Well ... if you are happy I’m happy too ...
 
As far as what SHOULD be "cool," or should dictate what you play - play what you like, and chasing what other people think is cool, generally is not cool.

Still, as an observation of our current culture and fashion - yes.

Here's my take on it: retro is in, at least as far as popular music played on instruments goes. We're not quite back to the folk music wave of the early 60s, but along with the faux-lumberjack look there's a definite interest in music that at least SEEMS a little more acoustic and rustic. Five- and more-stringed basses "read" to an audience, still, as novelty and innovation (if they notice at all) and sparkly new things. But hip hop, electronica, and protools have taken sparkly new things into territory way beyond anywhere a stringed instrument can follow. An electric violin was the coolest thing ever in the 80s but seems quaint now. Somewhere between Keith Richards' and Kurt Cobain's legacies the culture moved away from shiny pointy space-age instruments and put its preference on old beat-up relics, and for bass that means keeping it to four strings.
 
I've had opportunities for gigs where I've been asked specifically to bring a 4 string Fender bass. And this seems to be a new phenomenon because I've been playing 5 string basses for over a decade now and that has never happened.

FWIW I've had that happen in the past. Granted, it had to do with genre; in about 2000 I bought a Dingwall 5 and, being a new toy, I had to use it on the gig and was playing with a blues band. At the end of the night, the BL said "that bass sounds really good. Still, if you don't mind, if you could bring your P-bass next time, I think it's a better fit." It was said with respect and as a suggestion - not as an ultimatum - but I did take his point and I do tend to now think of what bass might best fit the particular gig both in terms of sound and image (if that's a consideration - I know that might sound superficial to some - much the same could be said for clothes based on what kind of gig).
 
If one day a Fender Precision with flats became the only available option out there for bass, I would switch to a different instrument...

While I've noticed the trend you've pointed out, I for one, will continue to march to the beat of my own drummer. Scratch that, he was fired last week. so I'll just stomp my feet. :D

Seriously though, my advice would be to stop worrying about what other people think. It's a message I've been trying to drill into my children's heads for years...