• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Is the bass tone really so poor?

I recently recorded and mixed this song.



It's for a local singer-songwriter, I play bass in his band and I take care of the mix phase (he's self produced). I've been told that the bass tone is poor, but I don't really hear it. Yes, it's not the usual bass tone and it's quite mid heavy, but that's just the character of the bass (an Orange O-bass with Pyramid Flats into a GK800RB + GKNeo212, with a blend of post-poweramp DI and cabinet miked with a D112 and an MD421). I like its round attack and controlled lows, and how it actually blends in quite well with the rest of the band. Was it an isolated criticism or do you actually hear something wrong with it?
 
  • Like
Reactions: jeffmensch
Nope, it's totally apt.

I wouldn't let random, unsolicited comments undermine your confidence, especially when you don't know the source, they're credentials, or their motives :

Could be another bassist, gunning for your gig.

Could be someone who thinks all bassists should sound like Chris Squire, or Lemmy.

Could be their kid sister, who only likes EDM.



They're just opinions.
 
As an audio engineer I have a different take. To me the problem isn't the tone, it's the level. Listening through my studio monitors in my fully treated studio I find the bass to be overwhelming other elements in the mix at times. The snare drum, which in most tunes of this nature should be the second loudest thing in the mix after the lead vocal (if following modern conventions) gets lost in the bass at times. The singer's range is also overlapping a good portion of the bass' midrange which leads to some masking that he probably objects to. I suspect the singer was commenting more on the relationship of the bass' level to the rest of the arrangement than the actual tone from a frequency response perspective.
 
As an audio engineer I have a different take. To me the problem isn't the tone, it's the level. Listening through my studio monitors in my fully treated studio I find the bass to be overwhelming other elements in the mix at times. The snare drum, which in most tunes of this nature should be the second loudest thing in the mix after the lead vocal (if following modern conventions) gets lost in the bass at times. The singer's range is also overlapping a good portion of the bass' midrange which leads to some masking that he probably objects to. I suspect the singer was commenting more on the relationship of the bass' level to the rest of the arrangement than the actual tone from a frequency response perspective.

The levels were "chosen" by the singer. The criticism didn't come from the singer, and the bass is forward but because it carries the song (not my words). I agree the bass could go down a notch. Also, the singer doesn't want his vocals to be upfront, and the drums were deemed as "very loud" by the producer. *shrug*
 
Last edited:
  • Like
Reactions: FRoss6788