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Is there ever a situation which 10" speakers just aren't good enough?

My Acme cabinets are capable of reproducing an open B string at stage volumes. It's one of the things I find magical about Andy Lewis' designs. It's wonderful experience hitting that open B and letting it ring while the drummer does his "train wreck" at the end of a song.

+1! I tune to D standard, making my bottom string a low A. My Epifani PS410 has zero issue producing that note at venue volumes. It's all about the design. The PS410 is a tad taller (and I believe deeper) than your average 410 to allow space for the porting necessary (4 circular holes) to give the cab that low end extension. Just because it's a 15" or an 18" doesn't automatically mean "more bass". Y? Well because most 15" (and even some 18) bass cabs are still tuned/voiced as a full range cab. So while you may have more mid content from a larger driver you don't automatically get more sub content and you definitely won't be moving as much air since you have less speaker surface area. Yes, 15" and 18" speakers are used for subs, but those cabinets are also tuned for and dedicated to solely producing frequencies 80-100 Hz (depending on the sound engineer/venue) and below (which would make a terrible stand alone bass cab IMO). So again IT'S ALL ABOUT THE CAB DESIGN!
 
My point is despite scientific evidence (fact) on one side and opinions on the other side and all the money we spend for what ever reason for our gear, hardly anyone in the audience cares about the bass player, what he's playing on and through. And out in the room it still sounds like boom. Some players may have a little hearable edge to their boom but it's still boom.
If I thought that way about my bass playing, I'd retire.
 
"The fact that one can find many cabinets with the exact same speaker sizes and configurations that totally defy that generalization means it's not at all factual. Sorry."
-I said "somewhat" in hopes you'd be able to fend off the compulsion to correct something that was not said in strict black and white terms however I admire your efforts to twist it into the afore mentioned

"Sorry again, but it is not a pissing contest. Some folks are stating proven facts, some folks are stating opinions based entirely on their preconceptions and ignoring facts. So it's hardly a contest."
-The term "pissing contest' was correct in the sense that there is considerable energy expended by individuals eager to not only validate their points but to also 'win' -the fact that you 'had' to correct me illustrates my point Mr. Sheen.

"But this part is entirely true"
-you have the authority and expertise to tell us what is "entirely true"? -perhaps you might dissolve that ego a tad bit with a dollup of "it seems to me" applied to future statements, after all a wise man once said
"Allowing yourself to be wrong is just fine. Not allowing yourself to be wrong just makes you less smart"

ps -thanks for saying you were 'sorry' before correcting me -my neighbors cat was just wondering if you really meant it. Have a great day
 
I like playing electric bass through amps and speakers with bands while girls watch. I've not had one person ask if mine was 10 inches or 15 inches but they all seem to like what I do ;0)
 
"The fact that one can find many cabinets with the exact same speaker sizes and configurations that totally defy that generalization means it's not at all factual. Sorry."
-I said "somewhat" in hopes you'd be able to fend off the compulsion to correct something that was not said in strict black and white terms however I admire your efforts to twist it into the afore mentioned

"Sorry again, but it is not a pissing contest. Some folks are stating proven facts, some folks are stating opinions based entirely on their preconceptions and ignoring facts. So it's hardly a contest."
-The term "pissing contest' was correct in the sense that there is considerable energy expended by individuals eager to not only validate their points but to also 'win' -the fact that you 'had' to correct me illustrates my point Mr. Sheen.

"But this part is entirely true"
-you have the authority and expertise to tell us what is "entirely true"? -perhaps you might dissolve that ego a tad bit with a dollup of "it seems to me" applied to future statements, after all a wise man once said
"Allowing yourself to be wrong is just fine. Not allowing yourself to be wrong just makes you less smart"

ps -thanks for saying you were 'sorry' before correcting me -my neighbors cat was just wondering if you really meant it. Have a great day
I'd be really upset with you if I cared ;)

Have a good day too, bro.
 
Kids home sick again today, so this post is subject to the same disclaimers as yesterday.

A couple of general points:
1) The original post said, "Always had 10" speakers, can I expect more bass from a larger speaker or does size not matter as much as number+power?" The very next post said, "[10s]...have more true low end extension than cabs with larger diaphragm speakers..." Which is one of those statements that is so patently and obviously untrue that it makes your eyes cross. (Or should...) Such a partisan comment, without basis in fact, is exactly the sort of thing that led me to coin the terms "Decem" and "Decemite," to cover the fact that there are people who are so blindly attached to their 10s that they ignore reality. Now, if I'm understanding what I'm reading, some people have taken offense about my entirely fictitious religion. If it were a real, established religion, I could understand, but one I made up?
Really?
Crikey!
The Flying Spaghetti Monster might have something to say about that...
2) Any and all comments regarding PA systems are beyond the scope of a "can larger diameter speakers go deeper than 10s" thread. Comments such as "...more than enough low end to cause problems with any FOH..." or "...I can get more than enough low end to get me in trouble with the PA..." are useless. They don't address the OP's central question and are in any event impossible to work with because they introduce myriad unknowns, to wit: Microphone or DI, bandwidth and power of the PA, competence (or lack thereof) of the sound man, and on and on and on... And even if those variables were known, the next poster's PA system would be an apples and oranges comparison.
3) Claims that cabinet X is has lower lows than cabinet Y are subjective; not hard fact. My experience has been that most people are clueless about deep bass...yes, even bass players. Many bass players assume that because the instrument they play goes deep that they are immediate authorities on all things below 100Hz. Note that nearly every post in this thread about 10s going deep falls into this category and the few that advance facts...well...the facts are backfiring.
Posts such as, "I like my [cabinet A]" ARE valid. They seek only to state congruence between the poster's current and desired tone. That's the point. Find a tone you like and that works with the music you're playing.
4) I'm going to say it again, since some people are hard of seeing (that's kinda like being hard of hearing, but since they're reading...). I'm not against 10s. I own 10s. I like 10s for what they can do well. What I'm against is foolish statements like the one quoted above that 10s go deeper than 12s, 15s, 18s, 21s...
The post on the first page with the screen shot from Back To The Future (do I have the right movie?) always makes me laugh. Looks like about 60" or so. Hot diggety-dawg!
5) I reserve the right not to waste my time replying to comments that fall in the above categories--particularly #3. Those who post a #3 comment, then crow that they "won" because I didn't bother to refute their post automatically forfeit the point. Get real, people.

Okay, catch up time:

CL400Peavey,
We are in agreement regarding room-boom. If a bass player gets muddy sound from his rig, then he needs to change hardware or the settings he's using. What works in your bedroom at home is not necessarily going to work in a larger venue capable of supporting longer wavelengths. If the bass is going through the PA, the same applies to the PA. Bass doesn't have to be boomy.

You're not going to get anywhere with the small driver thing--not without major EQ, at which point all bets are off. Real world bass cabinets don't need drastic EQ to produce usable low end. Google "room gain" (roughly 6dB/oct bass boost) and add to that the fact that headphone drivers are essentially direct coupled. I'm not going to waste further time on this point.
Mea culpa on the Xmax driver thing. I plead distraction. However, the fact that you chose a guitar speaker designed to break up (hence the low Xmax and note the driver description re: break up) invalidates your point. There are scads of drivers in the world, designed with various uses in mind--not all of them bass guitar. I'm sure with a little effort we could find a 10" driver that's even less suited than the Legend 1518, then an even worse 15", then an even worse 10", then an even worse 15", then an even worse 10"...
You will search long and hard (and come up empty) before finding a post wherein I said that all 15"/18"/whatever drivers were appropriate for bass use. If you're going to set up a straw man argument using clearly inappropriate drivers, then "prove" me wrong, you lose by default. My goal is to deflate empty statements like the one I quoted in #1 above...and that only. Attempts to put words in my mouth will meet with resistance, time permitting, or be ignored. Please stick to drivers appropriate for live bass guitar use, i.e. drivers labelled as bass drivers or (some) PA/"professional" drivers. If, by some fluke, a guitar driver has cool specs, bring it on. Ditto for car boom-boom, hi-fi, or any other class of driver. It's highly unlikely that you'll find such a thing, but if there's something neat hiding out there in the wilderness, bring it in, I want to see it! Just don't waste my/our time cherry-picking some inappropriate driver, then claim that you've proved something, okay?
What's optimal? Decem save me! This is going to be harder than I thought. Optimal is generally understood to mean a Butterworth "maximally flat," "critically damped" alignment; that is, the Q = 0.707. All of which is techno-speak for getting the best possible flat response from a given driver. Sometimes the best alignment is vented/ported, sometimes it's sealed; depends on the T-S parameters of the driver. Most speaker programs have the ability to sniff out the best alignment automatically. You're free to change things, of course, but it's always a good place to start.
Commercial guitar/bass speakers are not necessarily maximally flat. Only rarely will you find a current-design cabinet that's tuned to less than 0.707. Some people look at it as a way to get more low end because the rolloff is slower, but the tradeoff is that the rolloff begins earlier and the cabinet will sound floppy. By definition, the cabinet will also be larger and somewhat heavier, so that's not a popular option.
A driver/cabinet design with a Q greater than 0.707 is actually a fairly common design solution. They're smaller and lighter, which is always good, and the cabinet helps stiffen the driver suspension which gives tighter sounding transients. The frequency response will hump up a little before the final rolloff, which can be either good or bad, depending on your point of view. The problem is that the cabinet is rolling off earlier than it has to. Although Q figures in the thousands (and higher--theoretically, Q can be infinite) are possible (e.g. radio electronics), bass speaker cabinets will usually have a Q less than 1--around 3dB of hump--quite a bit in practical terms. From a psychoacoustical perspective, that hump is often perceived as deeper bass than the cabinet is actually delivering. This trick is almost always used for cabinets containing 10s, but also shows up with other drivers. It affects the perceived tone of the cabinet and amounts to a slight push with a graphic equalizer somewhere in the 75-150Hz range, depending on the driver and the configuration of the cabinet.
Although I haven't measured them, my Ampeg SVT15Es appear to have a slight hump, rather broad. I happen to like the resulting tone, but can't help wishing that the cabinet was aligned to get that last bit of bass extension. I don't use them as subwoofers, per se, or at least I don't expect them to get the last few Hz as well as my SWR Big Ben. It's all a matter of realistic expectations. I don't ask 10s to deliver low E fundamentals (or B), and I don't ask the Big Ben to do much over, say, 150-200Hz. It's a special purpose beastie--although there are people who like smoother "no-treble" bass tones who swear by them when used full range. It's just not what I'm looking for.

JimmyM,
I don't know as I'd retire, but I'd sure start looking at options for improving what I was hearing.

Gab124,
Hear, hear!
(Although most girls are too shy to ask such questions out loud, at least where guys might overhear...)

Ha! "Only" two hours on this post. However, that's still too much time. Given that a lot of the other posts fell under one of the categories listed above, I'm thinking this is a time sink. I'll be spending less time as a result. People who set up straw man arguments and won't deal with facts are basically trolls. Time wasters. Don't need it.

Grey
 
Yeah, I know - I own and like cabs that are loaded with 10s, others with 15s, and like quite a few cabs that are loaded with 12s - I'm hardly a proponent of just 10s, either...


- georgestrings
Me either. My main rig now is fEARful, which I guess would be described as a "115" by people hung up on driver diameter.

GR, I know all about Xmax. Xmax is not related to driver diameter, right? They are independent. So I don't know exactly what you were driving at, but pulling one 10" driver and one 18" driver and comparing them doesn't really prove anything at all, does it?
 
4) I'm going to say it again, since some people are hard of seeing (that's kinda like being hard of hearing, but since they're reading...). I'm not against 10s. I own 10s. I like 10s for what they can do well. What I'm against is foolish statements like the one quoted above that 10s go deeper than 12s, 15s, 18s, 21s...
The post on the first page with the screen shot from Back To The Future (do I have the right movie?) always makes me laugh. Looks like about 60" or so. Hot diggety-dawg!

I am against posts like this because "10's" *don't* have a sound- nor do 12's, 15's, or 18's. The only thing that provides any sound is the electromechanical system known as a loudspeaker, which is a combination of one or more drivers in an enclosure.

To pretend that loudspeaker sonic properties can be deduced from the driver diameter alone is what is foolish, and you continue to do so. Anyone who has used a t/s app, as you appear to claim you have, would know that is the case.

In fact, the Eden D210XST goes much lower than an Ampeg SVT-15E, so there is one example of 10's going lower than a 15. There are many, many more such examples. How can you realistically deny this?
 
If I thought that way about my bass playing, I'd retire.

+1....and with regard to driver size it always comes down to whatever works for you. I've always liked 15's.

I guess I'm like the kid looking at a nude painting in a museum when asked if he liked art and responded "I don't know much about art but I know what I like".

Giorgetto
 
+1

I've recently moved to a fEARful 15/6 + ShuttleMAX 9.2 after years of playing various SVT/Ampeg rigs and I really like the tone I can get out of all my basses, on all different kinds of music. With that being said, I still have my 4x10HLF and it still shakes the earth. To me it is a great sounding 4x10 cab and I will probably always hold on to it for that reason. As a disclaimer, I haven't had the pleasure of playing any Epifianis or other "higher end" 4x10 cabs other than some a couple of Edens.

Ampeg SVT 410hlf. If ever a cab proved that 10"s can deliver heart shaking bass, it's that one. One needs only look to the 410hlf to demonstrate that all preconceptions we ever had about cab tone based on speaker size are irrelevant.
 
In fact, the Eden D210XST goes much lower than an Ampeg SVT-15E, so there is one example of 10's going lower than a 15. There are many, many more such examples. How can you realistically deny this?

I'm sure his answer would be that those are inflated specs and Eden (as well as the other companies) is flat out lying. Which, if this the case, the companies that make deep going 10" must also be lying about the low freq response of their 15" cabs in order to make the 10's specs look good.
 
I'm sure his answer would be that those are inflated specs and Eden (as well as the other companies) is flat out lying. Which, if this the case, the companies that make deep going 10" must also be lying about the low freq response of their 15" cabs in order to make the 10's specs look good.
I am aware that Eden's published specs have been called into question. But I picked those two cabinets as a safe comparison.

The SVT 15-E is a notoriously "old school" voiced cabinet, it just doesn't go that low. The D210XST is one of the deepest, if not the deepest, cabinet Eden makes.

It's also not just a comparison of -3db roll-off points, either. The efficiency of the Eden cab also helps assure that for a given input, it puts out more bass. It puts out a lot more sound, period, and that includes low end.

The efficiency difference is something I know from personal experience, and that was comparing a D210XLT to an Ampeg SVT 15-E. I found that pairing to be very detrimental, the hard way, during an outdoor gig. I had to just unhook the Ampeg and use it just as a speaker stand to get through the gig. It was rough. Nothing like a loud drummer and a loud stage to show the real limitations of a speaker cabinet.

All published and anecdotal evidence suggests that the D210XST is deeper than the D210XLT, so I think this particular comparison is safe, and certainly disproves any notion that we can deduce a cabinet's frequency response from the diameter of the drivers in it.
 
I am aware that Eden's published specs have been called into question. But I picked those two cabinets as a safe comparison.

The SVT 15-E is a notoriously "old school" voiced cabinet, it just doesn't go that low. The D210XST is one of the deepest, if not the deepest, cabinet Eden makes.

It's also not just a comparison of -3db roll-off points, either. The efficiency of the Eden cab also helps assure that for a given input, it puts out more bass. It puts out a lot more sound, period, and that includes low end.

The efficiency difference is something I know from personal experience, and that was comparing a D210XLT to an Ampeg SVT 15-E. I found that pairing to be very detrimental, the hard way, during an outdoor gig. I had to just unhook the Ampeg and use it just as a speaker stand to get through the gig. It was rough. Nothing like a loud drummer and a loud stage to show the real limitations of a speaker cabinet.

All published and anecdotal evidence suggests that the D210XST is deeper than the D210XLT, so I think this particular comparison is safe, and certainly disproves any notion that we can deduce a cabinet's frequency response from the diameter of the drivers in it.
+1

I love the SVT-15E precisely because it sounds so awesomely old school.

But it's true, while it's nice, loud little cab, if people think that it's going to super low just because it has a 15" driver, they're sorely mistaken. That's not what it's made to do.

The Ampeg SVT-410HLF, as far as I know, has considerably more bottom. I haven't played the Eden cabs you mention, but my guess is that they do as well. Because they are designed to have a big low end, and the SVT-15E isn't.

The standard, snarky reply of those who think driver sizes actually can be generalized goes "well then, why don't we all use the same size drivers, why bother making cabs with more than one driver size?"

There are two answers to this. The first is that when you change one part of a driver's design, it changes everything else, too, and changes completely the box design that will be optimal for it.

Naturally, the second, and probably more important reason, is because people buy them. Based on looks, based on dispersion, based on size, etc. There is a market for 15" and 12" speaker cabs. Hence, it makes sense for an amp/cab company to produce some.
 
+1....and with regard to driver size it always comes down to whatever works for you. I've always liked 15's.

I guess I'm like the kid looking at a nude painting in a museum when asked if he liked art and responded "I don't know much about art but I know what I like".

Giorgetto

Yeah, I admit I don't have much rational reason to like 15" speaker cabs. I just do. It's probably an aesthetic thing.
 
Yeah, I admit I don't have much rational reason to like 15" speaker cabs. I just do. It's probably an aesthetic thing.

Nothing wrong at all with liking how something looks. Vanity, thy name is…uh…er…pretty much "everyone" for one thing or another.

My reasons for preferring 15s are the 3015 & 15PR400 (substitute your favorite "super" 15 speaker here, if you like) and the additional fact that they are the most economical, highest bang-for-the-buck drivers available.

:D ;) :bassist: :hyper: :D ;) :bassist: :hyper: