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Is there really much different between the Model P and the SPB-3

I'm modding a Squire Affinity P for use as a drop tuning bass for a couple of songs. I plan to keep it tuned to BEAD.

I'm trying to select pickups and have been doing extensive research but can't seem to come to a solid conclusion.

Initially I was dead set on the Dimarzio Model P.

but

After some more research I became convinced that the Duncan SPB-3 Quarter Pound would be more suited for what I am doing.

Today I am at a brick wall between the two.

I play in a 90s rock/alternative/nu metal cover band. I would use this bass primarily for dropped songs that require the Low B like Staind or Cold.

I play nickel rounds through a GK 400RB IV into a 2x10 and 1x18.

I want something that cuts, while retaining a clear tone, with attack and clear rumbling lows, occasional chords and a combination of pick and fingerstyle. I rarely slap or pop.

I want something that will enhance the sounds of my instrument but still retain the distinct P bass sound.

Both of these pickups are in my price range and I can't really afford more than that at this time, however I am open to other ideas as long as they are affordable.

Am I just over thinking it or is there really a distinct difference between these two pickups?
 
I think the EQ curves of those pickups point in different directions. Model P pickups are quite mid-heavy, to the detriment of extreme highs and lows. For this reason they work really well in a band setting, but probably don't sound too good for bedroom playing. I say this because the couple of times I've encountered Model Ps, and their clones, I really loved them.
 
I think the EQ curves of those pickups point in different directions. Model P pickups are quite mid-heavy, to the detriment of extreme highs and lows. For this reason they work really well in a band setting, but probably don't sound too good for bedroom playing. I say this because the couple of times I've encountered Model Ps, and their clones, I really loved them.

This is a great response. While I do love the sound of a mid scooped bass, I understand that it just doesn't cut as well in a band setting. I find myself boosting my low mids more and more often these days.

One thing I did notice about many famous players who use the SPB-3 (Hoppus, Der Maur etc.) is how much less they have to compete with due to the nature of the bands they play in.

I've also never heard them in dropped tuning.
 
Yeah, the SPB-3 is most often mentioned as a 'pop punk' pickup, where the player guns the treble and cuts the bass. I think Hopper et al actually have some pretty good P bass tones personally. The SPB-3 is also in the Roger Waters P-bass. I don't associate Roger with that tone, but I guess times change.
 
Yeah, the SPB-3 is most often mentioned as a 'pop punk' pickup, where the player guns the treble and cuts the bass. I think Hopper et al actually have some pretty good P bass tones personally. The SPB-3 is also in the Roger Waters P-bass. I don't associate Roger with that tone, but I guess times change.

Agreed on the Roger Waters thing, I saw that but his tone always seemed more like a Vintage P bass sound. I was surprised they used those pickups in his signature bass.
 
The Quarter Pounder is a real heavy-hitter. It has both fatter magnets and a higher wind. It is complete overkill, IMHO, and needs serious reigning in with the tone pot. If you want more than vintage class then the SPB-2 is better.

I also very seriously question how many Roger Waters recordings or shows have been done with the QPs.
 
off topic, but is it possible that your tonal goals might fight the 2x10+1x18 cabs?

Not at all, I've played my rig with a borrowed P-bass and have the sound I want with it. If the bass I got was a higher quality bass I wouldn't even bother with a pickup swap but the squire pickups are just lacking in every area.

Honestly if Fender sold the pickups from their MIA Standard P bass I'd probably buy those.