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Is this a bass guitar?

  • Thread starter Thread starter Deleted member 165050
  • Start date Start date

Is it a bass guitar?

  • Yes

    Votes: 197 78.2%
  • No

    Votes: 18 7.1%
  • It's a carrot

    Votes: 37 14.7%

  • Total voters
    252
This is Paul Tutmarc's first electric bass:
1934/5
tar-list.com%2Fsites%2Fdefault%2Ffiles%2Fstyles%2Fgalleryformatter_slide%2Fpublic%2FPaul-tutmarc.png

His Audiovox 736 was the evolution of this one so it only makes since he called it a bass fiddle.
 
I guess it's a bass guitar, it sounds more like a tenor guitar though so I thought a safe answer was a carrot, it has absolutely no bottom in either of those videos.
Bob,
my video , the bass has the original round wound strings. The low E was replaced with an A string and tuned to E by Paul Tutmarc in the 1940s. It also is being played through an original Audiovox 236 guitar amp with an open back and a 10 inch speaker. When it is played through my 76 SVT with 2 8 10 bottoms, it has much bottom as my 51 Fender.......I guess I should make another recording.
 
Bob,
my video , the bass has the original round wound strings. The low E was replaced with an A string and tuned to E by Paul Tutmarc in the 1940s. It also is being played through an original Audiovox 236 guitar amp with an open back and a 10 inch speaker. When it is played through my 76 SVT with 2 8 10 bottoms, it has much bottom as my 51 Fender.......I guess I should my another recording.


That might be what I'm hearing, the A tuned to an E, cool video though, I look forward to hearing it through your SVT, mine are right on my left.:laugh: Just about anything sounds good through an SVT though.
 
Last edited:
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I like that it claims it will take the place of three double basses
I was amused by that as well. This was probably envisioned for orchestral use (which was probably the most common use case of the day), and I believe in that situation you would likely have multiple double basses playing in unison to achieve the correct sound level in a live "mix". That massive 18 watt amp (with only 3% distortion!) would have replaced the need for multiple double basses. (I guess this instrument pre-dates the phrase "cuts thru the mix" and "plays like buttah". We've obviously advance so much since then. ;))

I think the real question here, is....would the Fender Custom Shop make one?:D
Yes, and it would be gorgeous! ... ... ... And then they would relic it.
 
Here's my own take on this based on nothing more than my own musings. It doesn't really matter what something is called. You can call an "automobile" a horseless carriage or a self-propelled people transport, but it doesn't change it's function. So forget what the creator named it. The question "is this a bass guitar" is also misleading. By modern standards, perhaps no. But by it's function, probably yes. I haven't heard it but it is in the configuration of a guitar and it plays lower register bass notes? That's all you really need to know. It's a type of guitar that plays bass notes. Call it a pickle, if you will. But by it's function, it is what we today call a bass guitar.
 
A few years ago a thread came up on TB asking if anyone bought a bass because it was available in the year the person was born. That intrigued me, so I looked up 1949 and the only one available was the second generation version of the AudioVox 736 designed by Paul's son, he called it the Serenader. Since none were available, I decided to modify a Hadean 24" scale bass uke as a tribute.

Tutmark tribute done.jpg
 
When @Bflat purchased the 736 in the OP he and I coordinated on a small event for a bunch of Seattle bass players to be able to check out this important piece of bass guitar history. It was really gracious of him to agree to come out and the Seattle bass community really appreciated it. Pics can be found here, but they may not be visible since they’re within a group even though they’re posted from my page:

As for bass vs bass guitar vs bass fiddle vs bass whatever... well... to me it’s a bass guitar by modern parlance. It’s meant to be played in the same way that we all (generally) play a bass guitar. Also, despite some quirky tuning stability the 736 sounded surprisingly good through the amp I provided at the event (Phil Jones D400 into a Bergantino HD210). I thought it sounded even better than the later version that was also brought to the event which I seem to recall @Bflat also purchasing. Quite a collection!