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Is this busy/over-playing? [video]

Is this overplaying?

  • Way too much. Dial it back!

  • Maybe a little too much for my tastes.

  • Nah! Right where you are supposed to be.

  • Play more!! You can never overplay!

  • Bro! Have a carrot. It's church. No one cares.


Results are only viewable after voting.

tb-player

Why so serious?
Mar 6, 2019
6,705
29,946
East Coast, USA
I don't typically post things like this but I'm genuinely curious...

Yesterday, I played bass at my church. I'm thankful for playing at church because it's been the only consistent gig most of us have had during the shutdowns (even if what we mostly play is some variation of I IV vi V... lol).

Due to a fun little bout with COVID-19, I haven't played in about a month. This Sunday was my first week back.

I noticed, after we were done playing, I got a lot of compliments on my playing... things like "Man! You were going for it!" of "Those runs were tasty!" While I am appreciative, comments like that immediately make me paranoid... like I was overplaying.

I've always had a tendency to lock in at the beginning of a song and save the 'flairs' for the end of the tunes, especially in church songs where the builds/emotions are pretty significant. Granted, I cut my teeth playing gospel, where there's almost no such thing as overplaying. But I still want to be in the pocket.

So here's a song from yesterday. I'm curious to hear from other bass players if you think I'm doing too much??? (Also, you get to hear how good my Fano JM-4 sounds. I love that bass!)

fyi- this is probably a 'headphones-in' mix to hear the bass.

 
For P&W, the it was a little busier overall than what I would typically expect. Still, the bass was on target, the drums seemed a little busy/pushed. Still, very nice overall. Most P&W devolves into the leader being way to loud on the mix compared to everyone else. This was more balanced.
 
I think people like familiarity in a song and I don't think your were playing a familiar bass line.

Familiar? When doing a part, bringing it back to the original motif so that the listener has that "familiar" feeling.

YMMV, etc.
I think this is an important point. If it's a song that's really familiar (not sure this one is), there's a comfort level for listeners when it sounds like the original. I once heard Andrew Gouche talk about when he toured with Prince. When they got to the song '1999', Gouche could have played all over it. But he knew better. He said people (and Prince) wanted those familiar quarter notes that start the song. Any more, and he'd lose the gig.