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Although I can imagine what you mean, it isn't that way for me at all.

Jamerson innovated, whereas Julia interprets. That's not to diminish her accomplishment; rather it's to make a distinction between the two players' demonstrated talents.

Jamerson was a composing bassist who improvised exactly in service of the song, to render what sounded not like improvisation, but like a preconceived part.

Julia interprets preconceived parts, indeed parts already rendered by other players. That she does this with such skill, accuracy, and depth of groove is worthy of all the praise she is getting here. But it's not the same approach or aesthetic skill set as Jamerson's.
Fair - but both have a knack for playing very busy parts while still staying out of the way of the rest of the song.
 
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that stuff normally takes a seasoned pro.

I guess we don't understand why you keep seeming surprised that studio producers are A-list players.

Don Was, Anthony Jackson, Randy Jackson, Babyface, D'Angello, Anthony Jackson, Justin Meldal Johnson, Stephen Street, Todd Rundgren, Vernon Porter, Max Martin, Brady Watts, Questlove, Nile Rogers, Brian Eno, Prince, Berry Gordy, Rick Beato, Jeff Lynn, and this is top of my head territory. Even Butch Vig (garbage) is as good a drummer as a producer.
 
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Fair - but both have a knack for playing very busy parts while still staying out of the way of the rest of the song.

Maybe I misunderstand what we are hearing Julia playing in her videos. I thought that she was only rendering parts that were played by other players; in other words, she exclusively is mimicking other players' recorded works. If that is true, then she doesn't have the knack, but the original players did.

At that level, it is akin to European classical music, in which a performer may interpret a written work, but is always playing only the notes that were already written: Julia is to recordings as a Euro-classical performer is to notation.
 
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Or Louis Johnson?

I would just say that she is an excellent contemporary bassist who plays with the legacy of many greats- as we all do,or should!

In his later years, I understand that Jamerson was somewhat out-of-the-loop for sessions because his style did not include slap, which was becoming more prevalent in Funk/Disco/R&B/Pop.

Nobody will ever equal Jamerson's fingerstyle genius, but Judy certainly is one of those awesome bass players who (at least to me) comes out of nowhere on the 'Net and impresses with their chops and taste.
 
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Absolutely stellar playing. and you are having a blast. Musicians like you, and by that I mean..funky, soulful...and young, give me hope for the future...a hope that that the vast majority of music won't just be created on laptops with no one learning to play anymore. Thanks for hipping me to a new song (new for me). Keep playing
 
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I thought that she was only rendering parts that were played by other players; in other words, she exclusively is mimicking other players' recorded works.
If you mean note-for-note, then no. I'm not familiar with the original version of this song, but I've seen some of Julia's other videos where she's staying true to the vibe of the original but adding in some very nice fills and variations of her own.