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Jaco on Donna Lee. Is it improvised or not?

Listening to the melodic and harmonic language Jaco uses in his obviously improvised solo's (from live concerts) and comparing it to the language he uses in his compositions (Teen Town and Liberty City come to mind) I'd say the Donna Lee solo is composed. Or built on larger preconcieved blocks, possibly transcribed from a lot of sources we might not recognise.

The use of the extensions of the chords, sticking to the upper structure, general bebop language, rhythmical jokes and almost no pentatonic licks really differs from his solo's I've heard on live recordings (including the Metheny and Brian Melvin stuff).

I actually think it's great. He's a superb storyteller when he comes up with this stuff, and it might be near to impossible to improvise this. Herbie Hancock might come close though. I wish he would have composed more solo's in advance, I think his pentatonic shock licks plus harmonics solo's are kinda weak compared to all the other stuff he brought to the game. I wouldn't consider it cheating: Who cares how you come up with it, it's all about the music in the end.

Video's like the Dolphin Dance one are in my opinion a display of Jaco in a bad period. You can almost hear the personal issues in the music and interplay. There's a lot of "stress" in the music to my ears.

I do think Jaco improvised parts like the bass part on Herbie's "4am", which I think is really great. When comping he seems better at it, also see the Joni Mitchell stuff where I feel he's at his peak.
 
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The use of the extensions of the chords, sticking to the upper structure, general bebop language, rhythmical jokes and almost no pentatonic licks really differs from his solo's I've heard on live recordings (including the Metheny and Brian Melvin stuff).


Video's like the Dolphin Dance one are in my opinion a display of Jaco in a bad period. You can almost hear the personal issues in the music and interplay. There's a lot of "stress" in the music to my ears.

I do think Jaco improvised parts like the bass part on Herbie's "4am", which I think is really great. When comping he seems better at it, also see the Joni Mitchell stuff where I feel he's at his peak.

One thing that I've always found interesting about his playing is that when he uses pentatonic patterns it's almost never on the Root, like Stanley was playing at the time, but tended to favor the 5th (5-6-maj7-9-3) or the 9 (9-3-#11-6-maj7) over a major tonality or the tritone sub (#11-b13-b7-b9-#9) over a dominant 7. You can hear this all throughout Continuum. There are so many transcription books out there now, but Ray Peterson's book is special because he goes into why Jaco played what he played and not just the notes.
The Melvin stuff (and for that matter the Biq World stuff and DCI video) is from a down period in Jaco's life when the Bipolar Disorder was kicking his tail. It's amazing he was playing as well in the DCI video as he was under the circumstances.
I think Shadows and Light and the recently released Weather Report at Montreux from 1978 show him in a much better light.
 
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