The three people that influenced my bass playing technique the most are Jaco, James and Bach. "Standing in the Shadows" was the second bass book I bought and I spent years frittering my time on it, where an instructor and practice focus would have yielded much quicker results.
Some people say you need a Precision with old flats and a mute to sound like Diego.
Personally, I think that is secondary. The essence of James to me is in his note choice and syncopated 16ths. Even if you were playing a pick on a Ric with Rotosounds, the uniqueness of his beatiful lines would shine through.
Try this.
At a metronome setting of 40 bpm, place every note dead on for "Whats Going On" or " I Heard It Through the Grapevine". Id get it perfect at 40, before cranking up the tempo.
James is my go to for reading trickiy 16ths.
Fyi, i play James OFPF. My OFPF fingering technique evolved to play what he did with 124.
Your thoughts on James?
Some people say you need a Precision with old flats and a mute to sound like Diego.
Personally, I think that is secondary. The essence of James to me is in his note choice and syncopated 16ths. Even if you were playing a pick on a Ric with Rotosounds, the uniqueness of his beatiful lines would shine through.
Try this.
At a metronome setting of 40 bpm, place every note dead on for "Whats Going On" or " I Heard It Through the Grapevine". Id get it perfect at 40, before cranking up the tempo.
James is my go to for reading trickiy 16ths.
Fyi, i play James OFPF. My OFPF fingering technique evolved to play what he did with 124.
Your thoughts on James?
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