!!!Jank update!!! Since my last photo upload, I've acquired an AudioKinesis Birdhaus 48 bass cab (many thanks to Duke LeJeune; it's a great big improvement in sound and portability), which is kind of anti-jank...and the new SKB 3U shallow case is a pretty anti-jank birthday present.
But driving an old Peavey M-3000 mono power amp ($40 and a road trip most of the way across central Illinois, in a rusty '01 Hyundai Accent with the overdrive ratio crapped out on the auto trans--4,000 rpm at 65 mph--to buy some CL-advertised audio gear from a church that was updating its system) with a used $50 Zoom B2 preamp...that's pretty janky. The "aesthetic blight of visual overhang," a term I stole from a poster on the AudioKinesis thread, is pretty janky. My $50 Squier P-bass is simple and functional but at least kind of ratty, and I used a Transformers quilt as a photo backdrop fachrissake.
Reading the many pages AudioKinesis thread has convinced me that I am probably the jankhammer of that group; no one over there is posting about cranking a Squier P-bass through a digital Marshall Superbass emulation in a bonehead rock trio, while using an AudioKinesis cabinet. But they have been nice and tolerant of my input, Duke included.
This rig also serves as my guitar amp these days and I'm seriously considering selling the rest of my mostly guitar-specific gear. The past-generation Zoom does a pretty good guitar clean sound using the Hartke 3500 model, and some pretty good Marshally rawk using the Superbass (plexi-ish) and Boss ODB-3 (JCM-ish) models. The tweeterless AudioKinesis cab has some pretty flexible, wide-ranging drivers in it and can put those kinds of sounds across without needing radical EQ. I haven't played it live yet, because we're not ready to gig...but it keeps up at loud band practices just fine with the 210-watt/4 ohm power amp.
(How I came to have a Transformers quilt to use as a photo backdrop is kind of a jank tale in its own right, but I'll save that for the Janky-A Photo Backdrops of Doom thread.)
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