You can get a good down-the-neck look at his playing style in this in-studio video:
It appears that the fingers of his left fretting hand are lifted quite a distance off the fretboard when moving between notes, even straightening in some instances, i.e. he's playing a note and lifting that finger high off the fretboard, then bringing it down again to play the next note with that finger.
Wouldn't this be considered a less economical style than keeping the fingers curled and close to the fretboard between notes? I can't imagine taking lessons and being taught to play the way he does, but obviously it works for him because he's been playing DT's lightning-fast riffs all these years. Is it possible that straightening and lifting his fingers like that is actually stretching them and preventing cramping? Your thoughts?
It appears that the fingers of his left fretting hand are lifted quite a distance off the fretboard when moving between notes, even straightening in some instances, i.e. he's playing a note and lifting that finger high off the fretboard, then bringing it down again to play the next note with that finger.
Wouldn't this be considered a less economical style than keeping the fingers curled and close to the fretboard between notes? I can't imagine taking lessons and being taught to play the way he does, but obviously it works for him because he's been playing DT's lightning-fast riffs all these years. Is it possible that straightening and lifting his fingers like that is actually stretching them and preventing cramping? Your thoughts?