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John Myung's technique

Jul 17, 2005
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You can get a good down-the-neck look at his playing style in this in-studio video:



It appears that the fingers of his left fretting hand are lifted quite a distance off the fretboard when moving between notes, even straightening in some instances, i.e. he's playing a note and lifting that finger high off the fretboard, then bringing it down again to play the next note with that finger.

Wouldn't this be considered a less economical style than keeping the fingers curled and close to the fretboard between notes? I can't imagine taking lessons and being taught to play the way he does, but obviously it works for him because he's been playing DT's lightning-fast riffs all these years. Is it possible that straightening and lifting his fingers like that is actually stretching them and preventing cramping? Your thoughts?
 
Not that I know John M., but he was originally schooled in violin and did go to the Berklee School, so...I doubt it's a bad habit, undobutedly to add some percussive texture (note the guitarist is using the same technique) to those passages. Note how John's technique becomes much more fluid around timestamp 4:04, because the chart then calls for fluidity.

I don't think I'd get tired so much as I'd get carpal tunnel; I'm at the age where I have to be very careful with form and technique.

It is a schweet Bongo.
 
To me atleast, his left hand technique never seemed very fluid, I do believe it is a bad habit. He also places his left thumb on the edge of the neck (deathgrip it's called, right?) when he's playing the first 3 strings, and that is a bad habit for sure.

Not that I know John M., but he was originally schooled in violin and did go to the Berklee School, so...I doubt it's a bad habit.

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