It is difficult to imagine the abuse required to break gear that is double packed.
Like a Peyton Manning wannabe trying to exhibit his arm strength?
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It is difficult to imagine the abuse required to break gear that is double packed.
Ok, I figured that it was only fractions of an inch that were keeping my 4 space from working, so I had someone else push the side walls out and I could press the Monique in place. It's in and held in place not only by the rack hardware but also the rack sides itself. It may never come out. Hopefully the back vents are enough, because the side vents have absolutely no clearance at all.
Munji, a little blurb from Jule's website about those clips:
"The initial bass tracks were recorded directly into a Presonus Firepod, and the backing tracks are simple stock sounds. The Bass tracks were re-amped through a Focusrite Saffire Pro 40 into Logic Pro 9. No effects were used in any of the recordings. No reverb, compression, gates, EQ's, nothing. What you hear is purely the DI's."
Um, no it isn'tYou hear a Firepod reamped through a Focusrite preamp and THEN it hits the DI's. As the owner of both a REDDI and a Countryman Type 85, I can tell you firsthand that the signal chain this well-meaning dude was using eats up a lot of the dramatic effect of the REDDI and Monique. By comparison, here are two clips I did...one is the Countryman, one the REDDI. Both were recorded dead direct into my computer soundcard with no preamping or reamping:
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Now if you can't tell the difference between the Countryman and the REDDI in these clips, you're deaf. Note especially how much thicker and weightier the high notes are with the REDDI. That's the same kind of difference you'll hear with the Monique, too. Now I guess some folks like it when the high notes lose all the bottom and sound like a banjo, but I'm not one of them![]()
Chadds, making statements like these isn't helping my GAS one bit!![]()
Munji, a little blurb from Jule's website about those clips:
"The initial bass tracks were recorded directly into a Presonus Firepod, and the backing tracks are simple stock sounds. The Bass tracks were re-amped through a Focusrite Saffire Pro 40 into Logic Pro 9. No effects were used in any of the recordings. No reverb, compression, gates, EQ's, nothing. What you hear is purely the DI's."
Um, no it isn'tYou hear a Firepod reamped through a Focusrite preamp and THEN it hits the DI's. As the owner of both a REDDI and a Countryman Type 85, I can tell you firsthand that the signal chain this well-meaning dude was using eats up a lot of the dramatic effect of the REDDI and Monique. By comparison, here are two clips I did...one is the Countryman, one the REDDI. Both were recorded dead direct into my computer soundcard with no preamping or reamping:
Invalid Link Removed
Invalid Link Removed
Now if you can't tell the difference between the Countryman and the REDDI in these clips, you're deaf. Note especially how much thicker and weightier the high notes are with the REDDI. That's the same kind of difference you'll hear with the Monique vs the Countryman, too. Now I guess some folks like it when the high notes lose all the bottom and sound like a banjo, but I'm not one of them![]()
I think the other factor though, is the difference in the feel of the amp. That is something that sound clips just can't capture. It is a bigger variable in basses (how they feel relative to recorded tone) but I find that amps feel different as well. I agree that in a mix the sonic bits tend to get lost, but if I can still feel a difference then it is worth it to me.
I don't know what that means.
Honestly, chadds, even listening to my squashed MP3's of the Countryman and REDDI point out the glaring differences so obviously to my ears that I don't know how anyone can even make the comparison. Not saying that to plug the REDDI in Jule's thread or anything, but comparisons are inevitable, and the Monique and REDDI operate from the same basic principle of tubes and iron output transformers.
I hear you.
I should have said, "Objection your Honor, Argumentative!"![]()
Too bad I'm at a hotel with crap internet.
Well hey, not everything appeals to everyone. The Monique isn't going to put Countryman or Radial out of business. Stuff like this is designed for those of us who find stuff like Countryman and Radial woefully inadequate and are willing to pay to have something we likeBut as always, it's the player who makes the gear, not the gear making the player, so I'm sure I would be just fine watching you on a gig playing through a J48. It's a perfectly valid choice. Just don't expect lots of warm fuzzies from us tube/transformer types.
Why would I expect that? I've never gotten them before. You guys may not like it, but my back sure does.