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Justice Bass effects?

That sounds pretty good. Unfortunately, what I'm using to record right now is a boss 8 track type of thing. I can't do much in the way of post recording editing on tracks. That's definitely something I intend to fix in the future, but for now I'm looking for more of a stompbox solution that I can use for recording and live. Am I looking for a tube compressor?
 
I think you'll be lucky to get a sound like that to sit on top of a live mix, unless everybody's happy to turn down and/or the guy doing FoH knows the bass guitar needs to be much louder than it was for the last 50,000 bands he mixed.
 
What effects do they use on the songs DANCE and DVNO specifically? I'm fairly sure it's not synth, just really heavy effects. Even if it is synth, what effects would I need to achieve the sound on an electric bass? I'm really looking for the slap sound on DVNO mostly, but DANCE has some meaty tone too.

DANCE:


I've been fascinated by the bass tone in DANCE too. I think it requires 1) a very quiet but squishy compressor (neither of my compressors can achieve that sound) and 2) a serious EQ - like a 31 band EQ.

Also, I hear a fender bass - either a P bass or a jazz. Could be wrong on that last point, it's just my gut feeling.

I don't hear any discernible fuzz - a little bit a hair maybe, but no fuzz.
 
would this clip just be tons of fuzz and compression, because i really love this bassline and this remix of the song


Plug into a Woolly Mammoth sometime, stick it infront of your envelope filter and see how much envelope you've got left. Clue: Same as the number of supermodels I've shagged. Adding a compressor after a fuzz like that would only be done for ironic comedy purposes.

The bass on that track sounds like it's going through quite a peaky filter, or it's otherwise been EQ-ed up to hell, but to me it just sounds like a full-on gated fuzz.
 
I love the sound of the giant analogue synth they have I think they call it valentine.

I'm pretty sure that valentine does about as much as those marshall stacks they have. :hiding:

As far as I can tell from wikipedia and such, all of there sound is coming from Ableton Live and their macs. Which makes me think that that might not be such a bad idea. Does anyone have any experience with Ableton?
 
Loving the thread, and loving the bass tones these two crazy french guys can create!

People that have been saying that it is impossible to get the "Justice" bass tones live without some serious post-recording work are absolutely right IMO.

But I'm pretty sure we all know that no one is going to be able to bust out Waters of Nazareth just like the recording live onstage with just a bass and a pedal board.

THATS NOT THE POINT!

We want to be able to get AS CLOSE AS POSSIBLE! As much as it would rock my world to get a live justice bass tone as it was recorded on the album i just dont think its going to happen.

I have been trying to learn a bunch of Justice lines lately and I am really wondering what people think of a Wooly Mammoth getting close to a Justice tone. I have one coming in the mail soon and I would like to know if it will work well getting some different Justice tones and what other pedals would get me even closer.