Hey all... Longtime lurker/reader, seldom poster, but i thought I'd share some of my U-Bass experiences...
First off, I got my fretless spruce back in late August '11 from BassNW (right after Joe's bad experience)... Gotta say, no complaints, great bass out of the box. I'm glad I took the plunge, because at that time, these were pretty hard to find in stock anywhere. That seems to be remedied somewhat...
In 7 1/2 months of playing/gigging this bass, this is the rig I have used most of the time:
Fishman Pro-Platinum EQ
AI Clarus
1 homebrew 1X12 with a Eminence 2512 (they're just stacked for storage)
The Fishman is a constant in the setup and has been since the beginning. A nice 'grab-n-go' for gigs running straight into the PA... I also put it in front when I'm playing a coffee-house through my little Acoustic B20. With the AI, I run it into the effects return, bypassing the amp's EQ... This is also a great setup for doubling when I want to run another bass into the amp's input. FWIW, the Kala sounds plenty fine straight into the 'High' input on the AI, but I'm completely spoiled by the Fishman...
As far as the strap, I've used it with a regular strap via a shoestring attached to the peghead... This has worked adequately, but sometimes when I am standing, the body shifts too far to the right and I am constantly adjusting. For some time, I have been wanting to add a button at the heel but was a bit unsure of the positioning. Thanks to Tim for the excellent photos of the button placement, I got it right the first time! Then there was the issue of the button itself... I love the 'organic' feel of the Kala so much that I was pretty hesitant to put a big ol' shiny strap button on there. Was doing a little turning this weekend and knocked out a couple of wood buttons in cherry and maple (the maple one is just sitting there for show)... Now it sits perfectly when standing, and I am very happy
Doing a number of 'singer/songwriter' gigs this month, and the Kala's getting stage-time on all of 'em... I have a little formula of my own that I use to determine when a piece of gear has 'paid-its-way', and the Kala hit it's mark in mid-February... I'm very happy with this piece of kit!
-robert
First off, I got my fretless spruce back in late August '11 from BassNW (right after Joe's bad experience)... Gotta say, no complaints, great bass out of the box. I'm glad I took the plunge, because at that time, these were pretty hard to find in stock anywhere. That seems to be remedied somewhat...
In 7 1/2 months of playing/gigging this bass, this is the rig I have used most of the time:
Fishman Pro-Platinum EQ
AI Clarus
1 homebrew 1X12 with a Eminence 2512 (they're just stacked for storage)
The Fishman is a constant in the setup and has been since the beginning. A nice 'grab-n-go' for gigs running straight into the PA... I also put it in front when I'm playing a coffee-house through my little Acoustic B20. With the AI, I run it into the effects return, bypassing the amp's EQ... This is also a great setup for doubling when I want to run another bass into the amp's input. FWIW, the Kala sounds plenty fine straight into the 'High' input on the AI, but I'm completely spoiled by the Fishman...
As far as the strap, I've used it with a regular strap via a shoestring attached to the peghead... This has worked adequately, but sometimes when I am standing, the body shifts too far to the right and I am constantly adjusting. For some time, I have been wanting to add a button at the heel but was a bit unsure of the positioning. Thanks to Tim for the excellent photos of the button placement, I got it right the first time! Then there was the issue of the button itself... I love the 'organic' feel of the Kala so much that I was pretty hesitant to put a big ol' shiny strap button on there. Was doing a little turning this weekend and knocked out a couple of wood buttons in cherry and maple (the maple one is just sitting there for show)... Now it sits perfectly when standing, and I am very happy

Doing a number of 'singer/songwriter' gigs this month, and the Kala's getting stage-time on all of 'em... I have a little formula of my own that I use to determine when a piece of gear has 'paid-its-way', and the Kala hit it's mark in mid-February... I'm very happy with this piece of kit!
-robert
