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Double Bass KAY double bass

Just to elaborate a bit more, there are indeed lots of threads and comments about Kay basses in these forums, and it's worth devoting a rainy day to reading all of them if you're considering getting a Kay. Beyond the aesthetic questions of whether people like them as basses (same goes for any bass), the Kay design has some unique issues that you need to be aware of if you're thinking of shopping for one.

Disclosure: I own a 1961 Kay M-1 that I rarely play, since I got a new carved bass in 2010.
 
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My first bass was a 1949 Kay M-1. There were some things I didn't like about it and I don't regret selling it to get a better instrument, but it served me well for several years and always sounded good for jazz and other pizzicato intensive styles.

- Steve
 
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The Kay M-1 was my fantasy instrument getting into UB, but when I was finally able to get one, I had the chance to get an M-1 or an American Standard, and went with the AS. I love it. So much.

Everyone on TB has a die hard strong opinion about everything, and an opinion that I have this opinion about TB users' opinions! If you like the bass, and it inspires you to play, its a great bass.
 
Be aware that in many places there is a price premium on them compared to comprable quality instruments that stems in part from there long history of use in jazz and bluegrass.

This is a valid point. When you buy a Kay bass, a lot of what you are paying for is "mojo" as opposed to build or sound quality.

- Steve
 
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I've owned three. First two were good. Last one, a'51 m-1 blonde, was really good. But I have no regrets in replacing it with a contemporary ply instrument. The New Standard Clevelands or the Upton ply basses also sound great, albeit without the built-in Kay legacy. I like my new instrument better, but there was nothing at all wrong with my Kay.
 
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What do you want to do with it????? How much is it going to cost you? They made more vintage Kays than almost all other basses combined, so sometimes you can find one for an incredible low price being at the right place and time.

If you want a very subtle nuanced expressive bass for delicate acoustic settings where people actually listen to the music, then an old Kay is not your best choice. If you want a tough old hoss that can handle very loud, rowdy amplified bar band and festival situations well with minimal fuss and almost zero feedback issues, then they are fantastic if you find one with a neck profile that works for you and it is solid.

Every bass player I know would rather have an original American Standard or an Arnold & Keirin era New Standard, but the OP did not ask about those.

j.
www.kaybassrepair.com
@KayBassRepair
 
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