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Know your songs by heart?

In my main band both keyboard players always use charts, while the guitarist and I both play without. We do Steely Dan, Dobbie and that kind of 70's stuff.
I am feeling that we could be more focused and have more fun if they could get their eyes up from that paper pile.
Maybe its because they are on their asses behind a stack of keys and have plenty of space for charts, while us string players are up on our feet moving around?
What do you guys think?
Should we just remove their crutches and liberate them?
Our drummer has a stand right in front of his kit and reads the music as we play as well. Sometimes when he's really flailing away the sheets of music start falling off the stand and get skewers by his drum sticks.
 
A few weeks ago, Dr. Cheese posted this video of Patitucci guesting on a gospel gig. Seems to be feeling it plenty fine and not phoning it in or disrespecting, even though he's got his nose deep into the dots, while he's standing. Goes to show what we say a lot around here: there's usually more kinds of gigs than fit any one unbending rule.


Sounds like a one-off. Chart waiver approved.
 
It is a great thing to be able to sight read, but I feel that if you never take your nose out of the music, you will miss out on developing skills that a well rounded musician should have including an ear and a technique for breaking the music down into recognizable patterns rhat can be easily memorized.

If somebody has a tough tune in mind, call it and see what we can do
 
You're all right, in context. Ipads and music stands are not going away. I use one for subbing, but I don't read on the fly, I pull up a song, and study it for 15-20 seconds, and rarely go back to it mid song.
I cannot help but get a laugh during the miriad county fairs/ribfests I've done FOH for, all afternoon, during the Dad Band segment, each band sets up their music stands, and while moving mics I take a peek- Charts for Honky Tonk Woman !!!!
That's just wrong.
 
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You're all right, in context. Ipads and music stands are not going away. I use one for subbing, but I don't read on the fly, I pull up a song, and study it for 15-20 seconds, and rarely go back to it mid song.
I cannot help but get a laugh during the miriad county fairs/ribfests I've done FOH for, all afternoon, during the Dad Band segment, each band sets up their music stands, and while moving mics I take a peek- Charts for Honky Tonk Woman !!!!
That's just wrong.
I think people are just so afraid of screwing up that they take precaution by using charts. Or, they didn’t take the time to learn the basic chord structure at all, not even for a second.

There used to be this streaming chord site called “Riffstation” that was later bought by Fender. Now it’s gone, or, and I hope this is the case, is merely undergoing maintenance, but it would detect and stream chords to any song. I could sit and mindlessly play a song I’ve never heard just by watching the chords stream along.

Now, like I said, it’s gone. I’ve gone back to learning songs the old way....by charts and/or ear. Sigh, I must admit that there is a certain aspect of laziness that is oh so satisfying. But, after a year of using it, I’d say I committed maybe five songs to memory via Riffstation. The old way works better, but it’s work and we don’t like work anymore.
 
I don’t like charts on stage but a iPad is ok. I played a short stint with a country band who’s band leader insisted all players except the drummer used song charts on a music stand. It looked really bad. His reason was with charts there should be no mistakes :rollno:
But with keys players they get a pass. Almost looks weird to see a keyboard player without charts.
 
Still my favorite kinda chart- Band leader yells 'It's kinda I-IV-V, in G and it goes like this 2,3,4...
Keeps you alive and on your toes.
Yeah, my dad did that to me once when I was 15 or 16. It was my first formal gig playing some barn church service, so I was so concerned with knowing all songs in advance. I practiced for hours. I still vividly remember him saying, “Songs in A, fellas.” This was the first song, that I’d never played before, or knew about. The guy also threw me in the pool at age 6, so I shoulda expected that. You can’t expect the unexpected 100% of the time, so you might as well be prepared to embarrass yourself, screw up, take the results, and move on with a sense of humor.
 
Its called Suzuki method, very popular for violin, not so much for piano which is usually sightreading from day 1.

I was raised on "sightreading from day 1" on the cello. Fortunately I picked up playing by ear on my own, so it was never an issue. I think that instruction has improved since I was a kid.

Hi :)

This is the first time I hear about the Suzuki method.

My grandpa was a violin teacher. He taught my dad to play by ear, when he was 4 years old.

Pa told me, he was not allowed to read notes, until he started playing the piano (two years later).

Funny thing: I could read notes before I picked up the bass...

I was always sitting on my dad' s lap, when he played the piano and I was a curious kid! :D

When I started playing the bass, I bought a "method" with TABs and a whole bunch of songbooks

(Beatles, Stones, Led Zep,...)

My dad saw them, burned them :hyper::hyper::hyper: and bought me a tape recorder!

I had to promise him to learn by ear, playing along to my records!

Suzuki? Never heard of! ;)

Back to OP: Free your keyboarders! Burn the charts! :laugh:
Cheat sheets are cool, when you have to cope with hundreds of songs,
that change frequently.
But the standards, you have to know by heart!
And you should be able to play them in all keys! (IMO)


may the bass be with you

Wise(b)ass
 
I don’t like charts on stage but a iPad is ok. I played a short stint with a country band who’s band leader insisted all players except the drummer used song charts on a music stand. It looked really bad. His reason was with charts there should be no mistakes :rollno:
But with keys players they get a pass. Almost looks weird to see a keyboard player without charts.
I’m more likely to mess up with charts.

Take baseball, for example. If you’re afraid of striking out, you’ll be more likely to strike out. The worry is a pervasive disease that pulls on your abilities. Essentially, you do the work before you step up to the plate, be prepared for whatever the pitcher throws. Same concept can be applied to music.
 
there are no rules. what works for one may not work for another.

while this thread is mostly thoughtful, TB is full of: "the way i do things, see things, judge things is the way others ought to consider doing things, seeing things and judging things." we get to play that out on this forum with a fair amount of anonymity and a greater amount of bluster --- as in 'wannabe expert'. as soon as you consider yourself an expert in doing, seeing, and judging = you're stuck to the ideas you have to defend as 'the expert' = :laugh:

there are no rules. what works for one may not work for another (if you disagree with this last statement: let me know!) thanks, jim
 
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there are no rules. what works for one may not work for another.

while this thread is mostly thoughtful, TB is full of: "the way i do things, see things, judge things is the way others ought to consider doing things, seeing things and judging things." we get to play that out on this forum with a fair amount of anonymity and a greater amount of bluster --- as in 'wannabe expert'. as soon as you consider yourself an expert in doing, seeing, and judging = you're stuck to the ideas you have to defend as 'the expert' = :laugh:

there are no rules. what works for one may not work for another (if you disagree with this last statement: let me know!) thanks, jim
I don’t think anyone here is saying there is one way to do things, and I think most understand this concept of individual freedom of choice. I will always appreciate the opinions and experiences of others. I would not want to live in a world where I can’t offer my own independent experiences and opinions. I think people need to learn this at a young age....take it or leave it. It is not right to tell people their opinion and experiences are not valid.
 
GERMAN2.jpg
there are no rules. what works for one may not work for another.

while this thread is mostly thoughtful, TB is full of: "the way i do things, see things, judge things is the way others ought to consider doing things, seeing things and judging things." we get to play that out on this forum with a fair amount of anonymity and a greater amount of bluster --- as in 'wannabe expert'. as soon as you consider yourself an expert in doing, seeing, and judging = you're stuck to the ideas you have to defend as 'the expert' = :laugh:

there are no rules. what works for one may not work for another (if you disagree with this last statement: let me know!) thanks, jim

You sound like my wife. Are you German?
 
IMHO, charts belong in the rehearsal room or studio, not on stage. That said, for me, the fastest and most effective way of learning or memorising a new piece is, and always has been, to write out my own chart, which can range from a few chords or a cheat sheet to a note-for-note part on standard notation, but never tab!
 
I’m more likely to mess up with charts.

Take baseball, for example. If you’re afraid of striking out, you’ll be more likely to strike out. The worry is a pervasive disease that pulls on your abilities. Essentially, you do the work before you step up to the plate, be prepared for whatever the pitcher throws. Same concept can be applied to music.

I agree 100% and when I do read a chart I often mess up....kinda like chewing gum and walking. I do my homework ...no need for charts.
 
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