• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Korn's Feildy

I like pronouncing "Feildy" with a thick German accent.

Anywho, the guy made interesting sounds that suited the style. That said, it ends up being sort of a one-trick pony and not something worth imitating - the minute you try to emulate the sound, you're just "that guy that plays like Fieldy".
__________________
Originally Posted by Zoa,
man, you just opened every can in the worm store.

Whaaat is this!?!?!?! I have been sigged? MY TALKBASS LIFE IS COMPLETE:hyper::hyper::bassist::bassist::bassist::)
 
I like his sound. He does stuff with the bass that other people haven't. His sound is easily one of the most recognized in modern music. If you heard a solo from him, you'd know it about two seconds in. It fits Korn very well, and for the record, he can do different styles. His solo album is nothing like his usual style. Is it for everyone? No. But just because someone sounds different doesn't mean they're wrong.
 
He did create a very recognizable sound.
His sound fit well with Korn, where he was fighting back tonal encroachment against two, chugging 7-strings.
There was an interview with him, probably an episode of Behind the Music, where he was talking about all the people that send him demo tapes. He said a great many of the bass players had set their EQs to "Fieldy," he guessed in a vain hope he'd be enamored with it. He was quick to point out that that tone isn't that versatile and that they should find their own sound. I guess this shows he either consciously or in hindsight has evaluated the limited versatility of that tone.

I'm amazed he can actually play the lines he does, without hearing any mids to guide him; there's no note information there....his monitors must be raw feeds?
 
He did create a very recognizable sound.
His sound fit well with Korn, where he was fighting back tonal encroachment against two, chugging 7-strings.
There was an interview with him, probably an episode of Behind the Music, where he was talking about all the people that send him demo tapes. He said a great many of the bass players had set their EQs to "Fieldy," he guessed in a vain hope he'd be enamored with it. He was quick to point out that that tone isn't that versatile and that they should find their own sound. I guess this shows he either consciously or in hindsight has evaluated the limited versatility of that tone.

I'm amazed he can actually play the lines he does, without hearing any mids to guide him; there's no note information there....his monitors must be raw feeds?

I fooled around with a setting like his, but it's virtually useless outside of Korn. He had to recognize its limits as son as he did it. I've seen them live and you can definitely hear his bass. I think they just turn it up a lot more to compensate the lack of mids.
 
I don't really mind fieldy. I don't care for the super smiley-faced EQ, but it works for korn. His pinky slap technique is pretty distinctive, and I think he's pretty good at what he does. Vanillathundah had it right when he said there are worse bassists out there (did someone say Pete Wentz?)
 
why all the hate he fit the group and the group is pretty much seen its day let the fieldy thing go already, you all sound like you're arguing over britney spears or something. he found his nitch it worked just like jaco worked and wooten does for their STYLE.