My new 44-64 just got posted up on FB Lakland page. Arrives on Thursday.
7lbs 3oz
yes, you read that correctly!![]()
Wow
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My new 44-64 just got posted up on FB Lakland page. Arrives on Thursday.
7lbs 3oz
yes, you read that correctly!![]()
Is that the red one with the chambered body, flame maple neck, gorgeous flame headstock, and birdseye fretboard?My new 44-64 just got posted up on FB Lakland page. Arrives on Thursday.
7lbs 3oz
yes, you read that correctly!![]()
I’m betting it is...
Is it a hipshot a style bridge? I believe only the baseplates are different, the saddles are still brass. I bought the wrong one once because the finish was coming off the saddles, revealing the brass. Some people claim they sound different too...It’s a beauty!!
Btw, not trying to steal anyone’s thunder, but I still don’t know how Carl got my dual P to weigh 7.4lbs. It’s not chambered. I know he used an aluminum bridge and ultralight tuners (the ones used on 55-94s). This has me thinking that Lakland should look into getting Hipshot to make some of the trademark oval bridge in aluminum.
It is the A. Carl believes there’s an audible difference. He and I talked so much about my sound preferences that he knew the accentuated highs from the aluminum would suit me. He also said, in so many words, that it’s important to balance the instruments weight. I took what he said, in that conversation, to mean that an instrument with a lightweight body should have a lightweight neck. We weren’t talking about neck dive. We were discussing the sound of the instrument. We had this conversation after I played the Carlo and was amazed at how perfect it sounded and felt to me. During the build, I had no idea he would put an aluminum bridge and ultralight tuners on it. That was him working his magic. I gave him a lot of freedom during the build.... he’s the expert after all.Is it a hipshot a style bridge? I believe only the baseplates are different, the saddles are still brass. I bought the wrong one once because the finish was coming off the saddles, revealing the brass. Some people claim they sound different too...
You’re preaching to the choir- he does all the work on my basses too (benefits of being local).It is the A. Carl believes there’s an audible difference. He and I talked so much about my sound preferences that he knew the accentuated highs from the aluminum would suit me. He also said, in so many words, that it’s important to balance the instruments weight. I took what he said, in that conversation, to mean that an instrument with a lightweight body should have a lightweight neck. We weren’t talking about neck dive. We were discussing the sound of the instrument. We had this conversation after I played the Carlo and was amazed at how perfect it sounded and felt to me. During the build, I had no idea he would put an aluminum bridge and ultralight tuners on it. That was him working his magic. I gave him a lot of freedom during the build.... he’s the expert after all.
You’re a fortunate man! I’d love to be able to visit Carl regularly.You’re preaching to the choir- he does all the work on my basses too (benefits of being local).
I’ve watched as Dan re-started Lakin Basses, built his short scale, another P, and another J for NAMM. And, I also saw when the Ashdown basses came out. All of them have the same headstock shape that Lakland used for a very short time, in the early days, and had to stop using when a cease and desist letter came from a famous brand. I guess it was easier then coming up with a new shape. I’ve also seen Dan make comments on Facebook about his era basses being “real Laklands” which rubbed me wrong, and was in poor taste IMO. I have, in my music room, plenty of evidence that both the old and newer Laklands are equally amazing. There was no drop in quality when the ownership changed. It’s harder to get highly figured Birdseye maple now, I’ve heard. Other than that, the only changes were positive changes! Lakland developed their own pickups, started painting in house, and started offering exotic and/or roasted woods.Was not expecting this: Dan Lakin has designed a new line of bass guitars for Ashdown!
New Ashdown Bass Guitars, Amps & Pedals - NAMM 2020
looks HIGHLY interesting!
Peace,
SoundSupport
You got it!Is that the red one with the chambered body, flame maple neck, gorgeous flame headstock, and birdseye fretboard?
If so... ME LIKEY!!!
I didn't realize Dan designed those Ashdowns. I know he was pitching his basses at the Ashdown boothI’ve watched as Dan re-started Lakin Basses, built his short scale, another P, and another J for NAMM. And, I also saw when the Ashdown basses came out. All of them have the same headstock shape that Lakland used for a very short time, in the early days, and had to stop using when a cease and desist letter came from a famous brand. I guess it was easier then coming up with a new shape. I’ve also seen Dan make comments on Facebook about his era basses being “real Laklands” which rubbed me wrong, and was in poor taste IMO. I have, in my music room, plenty of evidence that both the old and newer Laklands are equally amazing. There was no drop in quality when the ownership changed. It’s harder to get highly figured Birdseye maple now, I’ve heard. Other than that, the only changes were positive changes! Lakland developed their own pickups, started painting in house, and started offering exotic and/or roasted woods.
I wish him success, but he won’t be getting any of my money making copies of other builders designs.
You and me both! I would have quite a few questions for him.You’re a fortunate man! I’d love to be able to visit Carl regularly.
Nice to have both old and new era Lakies to compare.I’ve watched as Dan re-started Lakin Basses, built his short scale, another P, and another J for NAMM. And, I also saw when the Ashdown basses came out. All of them have the same headstock shape that Lakland used for a very short time, in the early days, and had to stop using when a cease and desist letter came from a famous brand. I guess it was easier then coming up with a new shape. I’ve also seen Dan make comments on Facebook about his era basses being “real Laklands” which rubbed me wrong, and was in poor taste IMO. I have, in my music room, plenty of evidence that both the old and newer Laklands are equally amazing. There was no drop in quality when the ownership changed. It’s harder to get highly figured Birdseye maple now, I’ve heard. Other than that, the only changes were positive changes! Lakland developed their own pickups, started painting in house, and started offering exotic and/or roasted woods.
I wish him success, but he won’t be getting any of my money making copies of other builders designs.
My new 44-64 just got posted up on FB Lakland page. Arrives on Thursday.
7lbs 3oz
yes, you read that correctly!![]()
The tans-red one with flame top in my avatar will be posted up here for sale soon! Also a one of a kind.Awesome!
Love to see pics!
Was not expecting this: Dan Lakin has designed a new line of bass guitars for Ashdown!
New Ashdown Bass Guitars, Amps & Pedals - NAMM 2020
looks HIGHLY interesting!
Peace,
SoundSupport
You and me both! I would have quite a few questions for him.
The tans-red one with flame top in my avatar will be posted up here for sale soon! Also a one of a kind.