I can't believe how many guys have the opinion that 5 is a fad, or that if you just play everything 5th fret and up on the B instead of open E that you should just play a 4... you're making it easier to play by being able to move across the strings, not up and down, and you're also reducing the scale length at which you play those notes.
I've never played a 34" scale B that I really liked. I can see how an MM bass has a better sounding string because of the pickup location, but I don't think it was physically less floppy than the Fenders and Peaveys and Ibanezes I'd played. I owned 2 Ibanez BTB 5's, 35" scale, that had better B's than the 34" basses I'd been playing, but the electronics sucked and the whole basses design made the scale length too much.
I've always liked 5's, maybe because I started on a crappy Ibanez GSR205, but played 4 for a long time. I went through several 5's before deciding that I needed a really good one. I bit the bullet after basically years of research, and bought a Dingwall ABZ5. Best decision I've ever made, bass guitar wise. The low B speaks so clearly through any speaker I've put it through. I could hardly hear the difference between B, C, C# on my 34" scale B strings... not so on the ABZ. The whole instrument is designed for optimum playability.
I've never played a 34" scale B that I really liked. I can see how an MM bass has a better sounding string because of the pickup location, but I don't think it was physically less floppy than the Fenders and Peaveys and Ibanezes I'd played. I owned 2 Ibanez BTB 5's, 35" scale, that had better B's than the 34" basses I'd been playing, but the electronics sucked and the whole basses design made the scale length too much.
I've always liked 5's, maybe because I started on a crappy Ibanez GSR205, but played 4 for a long time. I went through several 5's before deciding that I needed a really good one. I bit the bullet after basically years of research, and bought a Dingwall ABZ5. Best decision I've ever made, bass guitar wise. The low B speaks so clearly through any speaker I've put it through. I could hardly hear the difference between B, C, C# on my 34" scale B strings... not so on the ABZ. The whole instrument is designed for optimum playability.

They barely know their own instrument, yet are an expert on bass.