TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Hahaha yes. Very good.There are many differences between a green hat suspended from a streetcar going around a bend at speeds high enough to make a cat cynical, and a lobster directing traffic in the lobby of the Paris Hilton.
.
LOLI told a band that asked me to play with that I would under one condition...no Bon Jovi. I would rather set my bass on fire than play Bon Jovi. If Bon Jovi called and asked me to play I would tell him sure, as long as we don't play any Bon Jovi. I loathe Bon Jovi. This is an issue for me since I live in New Jersey, which is of course, Bon Jovi central. The band agreed initially, but eventually they started getting requests. I refused. Eventually I quit the band for other reasons, but if I ever go the cover band route again the rule will be the same. No Jovi...ever. (Guns N Roses is negotiable).

You know the difference between a slut and a bitch?My friends have called me a "bass whore" because I play with so many different projects I might show up on any stage at any time. I have to correct them, though. I'm a "bass slut". Whores get paid ... sluts do it just because they love it.
For those not familiar with "Paradise by the Dashboard Lights" it's not so much a 'song' as an 8-minute long epic mini-opera. Meatloaf's producer previously worked on Broadway shows. The song has at least 3 or 4 different sections, tempo changes, male and female singers. It's not something you can grit your teeth and soldier through in 3 or 4 minutes.
When I was in high school in 1979, it was actually played quite often on a Phoenix, AZ radio station. It's the longest song I can think of that was regularly played on radio. I mentioned the song to my 10 years' younger wife, and she had never heard it or even heard of it, which surprised me. So I pulled up YouTube and played it for her... she frikkin' LOVED IT. "OMG!" flipped her lid loved it. Called her girlfriends and told them about it. "OMG! You have to hear this song! Go to you tube and...."
My foray into 'serious' bass playing started when I joined a country band. I never really listened to nor played much country before, but I enjoyed learning the songs and had FUN playing them on stage. Now I'm in a R'n'R cover band, and I'm learning a couple of Led Zeppelin tunes but there's quite a few 'yacht rock' tunes in the setlist too, like Bread.
I played in originals bands off and on for about twenty years, playing in a cover band is different, but I like it as it's forced me to practice, learn and improve my skills as a musician.
Well, honestly, it's the kind of thing many of us would like if we didn't remember it being played 6 times a day on the radio and at every school dance - it is musically ambitious, and frankly incredibly well played and put together (and yes just about the cheesiest thing since Velveeta, but...). So while I would personally never want to have to play it both for the fact that it is challenging in terms of remembering all the parts and because I feel similar to yourself and the OP about it as a SONG, it is also a case of, what would have been "cool" and "ambitious" in the hands of Steely Dan or (insert pretencious 70s prog group here), overplay and the fact that it's by Meathloaf makes it ghastly to us.For those not familiar with "Paradise by the Dashboard Lights" it's not so much a 'song' as an 8-minute long epic mini-opera. Meatloaf's producer previously worked on Broadway shows. The song has at least 3 or 4 different sections, tempo changes, male and female singers. It's not something you can grit your teeth and soldier through in 3 or 4 minutes.
When I was in high school in 1979, it was actually played quite often on a Phoenix, AZ radio station. It's the longest song I can think of that was regularly played on radio. I mentioned the song to my 10 years' younger wife, and she had never heard it or even heard of it, which surprised me. So I pulled up YouTube and played it for her... she frikkin' LOVED IT. "OMG!" flipped her lid loved it. Called her girlfriends and told them about it. "OMG! You have to hear this song! Go to you tube and...."
My foray into 'serious' bass playing started when I joined a country band. I never really listened to nor played much country before, but I enjoyed learning the songs and had FUN playing them on stage. Now I'm in a R'n'R cover band, and I'm learning a couple of Led Zeppelin tunes but there's quite a few 'yacht rock' tunes in the setlist too, like Bread.
I played in originals bands off and on for about twenty years, playing in a cover band is different, but I like it as it's forced me to practice, learn and improve my skills as a musician.
Further to your point - as a bass player I find it hard to be picky if I want to play. Generally, songs are determined by what the singer can sing and likes, filtered by what the guitar player can play, and vetoed if the keyboard player or drummer can't do it, if the bass player starts being picky you can end up with NO material. Either you want to play and have pretensions of being a pro which means you want to do it in front of people for money or you don't.So I guess this is the thread where everyone congratulates themselves for being loaded with such musical integrity. Fine by me. That just makes more opportunity for me, a guy who doesn't give a rat's ass. I once knew a dude who played in a polka band, and because they were the only polka band in a 5-state radius, they worked constantly and made great money. There is good money in playing music that musicians hate.
So I guess this is the thread where everyone congratulates themselves for being loaded with such musical integrity. Fine by me. That just makes more opportunity for me, a guy who doesn't give a rat's ass. I once knew a dude who played in a polka band, and because they were the only polka band in a 5-state radius, they worked constantly and made great money. There is good money in playing music that musicians hate.
In all honesty Jimmy - it's evenly split between those of us consoling each other on the "facts of life as a bass-player" and those who are too cool to play (insert popular song here).So I guess this is the thread where everyone congratulates themselves for being loaded with such musical integrity. Fine by me. That just makes more opportunity for me, a guy who doesn't give a rat's ass. I once knew a dude who played in a polka band, and because they were the only polka band in a 5-state radius, they worked constantly and made great money. There is good money in playing music that musicians hate.
Just hope that it isn't you breaking your hip AS you collapse from exhaustion.I can't speak for everyone else, but I'll be the first to admit my disdain for my choice is completely irrational. Can't explain, just can't stand it.
Unrelated, if my band played polka, I would polka-bass like no one's business until I collapsed from exhaustion or someone broke a hip.
NOPE. Guitard noodles right over it.If bass-player complains in the rehearsal room, does anybody hear it?
Honesty = IndecencyThere are many differences between my aunt and your uncle.
There are many differences between bread and water.
There are many differences between Gatorade, and a thimble full of sour milk.
There are many differences between a green hat suspended from a streetcar going around a bend at speeds high enough to make a cat cynical, and a lobster directing traffic in the lobby of the Paris Hilton.
But most decent folk are far too polite to point 'em out.
