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Yup, this hit me a few minutes ago. There's a chance it might be viewed similar to when Kirk reprogrammed the Kobayashi Maru test, but hey, nobody explicitly said I COULDN'T use one.
What would my setup need to be? It seems to be a stomp box, so I'd need another patch cord. Am I missing something basic?
Nope - that would do it! Bass --> Drop pedal --> AmpWhat would my setup need to be? It seems to be a stomp box, so I'd need another patch cord. Am I missing something basic?
So, do you hear "F concert" when the synth kicks in? Because they tune down a half step?Looking at a video of the band, the current bassist plays the synth/pedal parts, so I probably should also.
Yes, I hear F concert. Since they tune everything down a half-step, I guess I'll tune my bass a half-step down.So, do you hear "F concert" when the synth kicks in? Because they tune down a half step?
An option would be to take a spare bass and have it drop tuned a half step... I know the pedal was suggested before, but this is a low tech solution if you have a 2nd 4-string.
There ya go. I know this song by heart; PM if you have specific questions.Yes, I hear F concert. Since they tune everything down a half-step, I guess I'll tune my bass a half-step down.
What song? Sounds complicated. Also sounds like counting 16ths in 4/4 absolutely WILL work, for part of it at least.The song is in 7/8, counting 16ths in four absolutely WILL NOT work. Then it switches to 6/4 and 4/4.
the song we're talking about here, "subdivisions" by Rush. The 4/4 sections of the track occur at such a high tempo that it's just so much easier to count in eighths, plus, with all the time signature shifts, counting 16th would be very tedious. Have you tried playing it and counting the 4/4 sections in sixteenths?What song? Sounds complicated. Also sounds like counting 16ths in 4/4 absolutely WILL work, for part of it at least.
the song we're talking about here, "subdivisions" by Rush. The 4/4 sections of the track occur at such a high tempo that it's just so much easier to count in eighths, plus, with all the time signature shifts, counting 16th would be very tedious. Have you tried playing it and counting the 4/4 sections in sixteenths?
There's not even any electric bass during the 4/4 sections.

No way I'd try this with a Rush song. The rhythms shift between 7/8, 4/4, and 3/4 all over the place, the synth bass is monotonous (few landmarks), the bass plays a complex counter-melody, and the drumming is complex, so if you're not doing your own counting, you'll get lost in a hurry. This is one to "know".If I were learning this on short notice, I’d write up a chart with the chord and time signature changes only. At least then you can keep it together; you can add the cool licks later.
This seems to be a lot of trouble to go to just to avoid learning how to read music. Because in learning to read, you are learning to hear the rhythmic subdivisions. So you can either look at the notation on a page and hear how that sounds in your head OR hear it and understand how it lays out in notation.
No guesswork.
Oh, jeez, I got you! Sooooooo… you were 100% correct in your initial post about counting subdivisions. Anyway… it’s a really cool song FWIW, a very popular one among us Rush fanatics.ahh. There’s a song called “Subdivisions.” My bad! I’ve never heard it, let alone tried to play it. I thought this post was about learning subdivisions in the general musical sense. For learning a really fast 4/4 section that doesn’t have any bass, I probably would NOT count, “1 e & a 2 e & a 3 e & a 4 e & a.”
To learn any new song, I learn it by ear; playing along with the recording, and writing it down in standard notation. Can take an hour or two for complicated songs, but by the time I’m done charting it out it’s gigable and practically memorized.
I read that TAB as you need a bass with at least 775 frets. That's way more than my Ric has...
Imagine the bass you'll need for this...
View attachment 4700515
And bonus points to the first hitter that correctly guesses what this is from...