Even though a good number of elite artistes are clued in, this is not common knowledge. They'll never give the game away, but I will: the angst-ridden, heartbreaking, soul-destroying, notorious, difficult second album is a total waste of time and can easily be avoided. It's a cinch — you just go, via the scenic route, straight from the first album to the third. Trust me.
To get the ball rolling, after all the momentum from your debut album begins to slow, slip away quietly and go 'holidaying' on the Continent. Tell no one. Hire a ramshackle studio somewhere in France and lay down half a dozen choice tracks.
Once that's done, the very next day, out of the blue, fly off the handle, become completely hysterical, breach your contract, irreparably. Break a law or two, do some damage, just enough to get yourself permanently banned; become persona non grata, burn all bridges, then, immediately — before you get arrested and deported , or shot — make a bee-line for Switzerland.
On the way, flog off all your equipment, and all unnecessary baggage — on the sly, cash on the barrelhead. Before you do, be sure to make copies of all your original hard drives — very important — before erasing them. Post the copied drives, and all your papers and the wedding ring, to someone back home who'll keep them safe — not your spouse — then go and receive some conspicuous bumps and bruises by getting yourself into a bar fight or two. Don't go overboard but be sure to get yourself hospitalized and treated so you'll have a verifiable story to fall back upon. It's OK to incur a little strategic debt at this stage — later, that'll work in your favor.
After you get discharged, buy a ticket home and, the moment your flight touches down, promptly report the whole episode to anyone who'll listen. Declare bankruptcy, admit yourself into a mental institution and take advantage of some new-age counseling — use your discretion but any kind of shrink-wrapped quackery will serve, due to your obvious 'confusion.'
Say the studio was 'broken into' and everything, including the masters for the entire second album, vanished without a trace and you just snapped, lost the plot for a minute. Say that, after some gut-wrenching backroom dealings with some shadowy Gallic extortionist engineers, you handed over a hefty ransom but to no avail. Make it plain: you're still recovering from a temporary derangement brought on by concussion and stress, and you're penniless, stone motherless broke. You've lost almost everything including your wits …
If you sell this story right, you'll be set: the second album will no longer be an issue, the obvious 'trauma' and 'the derangement' will nullify any expectation for a bankable state of recollection. Say nothing more without a lawyer present, then, in the presence of your lawyer, say even less. Develop a nervous tick, a twitch or two, and cry a lot. Become reclusive, go into hiding for a little while, resume the habit. Become a hobbit.
At this stage, enjoy the ride. With a little creative accounting, you'll literally have at least half of your third album already in the can, bought and paid for. When the time's right, after things have cooled down, simply write off that entirely fictitious,'difficult second album' completely.
Make a real song and dance about it in the press. And make a motza on it, at tax time. And then, with that big, bounteous tax return, you'll easily be able to complete the third album — not difficult — and even back the launch, financially, during the publication of your very profitable, ghost-written, best-selling, tell-all memoir — Took a Major Hit, For a Song.