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Let's Talk About The Best Strings For 5 String Basses Shall We!

faulknersj

Supporting Member
Apr 4, 2008
5,437
5,897
Scottsdale Az
I have been a Die Hard DR Hi-Beams player for many years and love these strings, but am interested in trying new options and wonder what you all recommend? In particular, I am having trouble getting the B string on the DR Hi-Beams thru the hole in the bridge on my new Fender 5 string and am wondering about sets with a tapered B-String and what your experiences have been? I play EVERY style of music (except not much country), RnB, Rock, Motown, Blues, Soul, Reggae, Afro-Beat, Pop and am excited to hear some recommendations! My main axes are a 5 String Fender with Lindy Fralin Single Coils and an Audere Pre + a Lakland USA DJ 5 passive with the stock Lakland single coils...

What are you digging?
 
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I also like Dunlop Superbrights. Nice low tension but not at all wobbly.

I agree with that assessment, they feel light on the fretting hand, but not too floppy for the plucking hand. I’m using a 45-130 set on a 35 inch scale bass (a Sire M5). The factory strings (XLs) felt a bit too tight for my taste, especially the G string. The super brights feel great. And their sound is very versatile too, they’re actually not that bright. Maybe a bit brighter than most NPS strings, but still a lot closer to these than to typical stainless steel strings.
 
I used to be a die hard Hi Beams fan until I discovered GHS Round Core Bass Boomers. They're amazing and very consistent pack to pack!
I did have a bad experience with Hi Beams a couple of times, when the new strings felt and sounded totally dead.
 
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After long and costly trial&error process I know that for me it's:

On the budget: Dunlop super bright nickels 40-120

When money is not a concern: thomastik jazz rounds

Flats: thomastik jazz flats

And I'm very well aware it's as subjective as discussing most comfortable sneakers preferences ... but since you asked
 
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I used to be really picky about strings and would form opinions about specific brands or styles.

Now, I just use whatever Ernie Ball, D'Addario, DR, or GHS roundwound sets I can find. They all seem to have the same lifespan and I can make all their tones work.

I think I currently have Ernie Ball slinkys on 2 basses, D'addario XLs on 3 basses, and GHS boomers on 3 basses. I think I prefer hex core to round core but I've used both without problems.

All of my basses are 5-strings BTW.
 
Good thread. I’ve been testing a few things recently and doing some window shopping. I have a 5 with exposed core strings and the only thing I don’t like is that when using a pick on the open B I get the dreaded “overtones” issue. I tried using a spare exposed core string on my Spector Euro and found I really liked it, but I’m dreading the bridge adjustments to make it work with a full set. The Spector bridge doesn’t fit 125 and larger strings so I’m considering tapered or exposed options (before I consider modifying the bridge or crimping the strings).

I’ve looked at a few exposed and tapered offerings from the usual suspects. Dunlop Super Brights have my attention. But there’s a very interesting set they offer. I’m curious if the B is tapered like the EAD (but not G) and why it is nickel.
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I used to use Ernie ball regular slinky’s on my 5 string basses.

Now I play BEAD basses a lot and occasionally standard tuned 4’s.

In the BEAD I like what I’ve tried from D’Addario… regular nickel rounds and chromes. maybe next time I’ll throw some regular slinky’s on the p bass to try em BEAD. The 132 B string in the chrome set is always nice and stout!
 
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