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Don't know if this is what you meant, but the PBA-EXP is from Disaster Area, not Mission Control.They already have the PBA-EXP. This appears to only add TS capability, which wouldn't be needed with the Stomp.
Don't know if this is what you meant, but the PBA-EXP is from Disaster Area, not Mission Control.
The PBA works great with the Stomp, and is relatively cheap.Yeah, I missed that. Too many small shop brands for my brain to keep up with. Haha. But it still stands that this new pedal has features not needed with the Stomp. Which makes it an overpriced, bad choice compared to other options on the market. In my opinion.
Just checked them out, and that would be really cool!I wish BARN3 would come out with a plate for the HX.
Here ya go fellas: Invalid Link Removed
3sigma SVT are pretty awesome.So, diggin the hxs so far, fairly easy to dial in. Wondering what IR's I should look at? Anyone with good, real world recommendations?
So, diggin the hxs so far, fairly easy to dial in. Wondering what IR's I should look at? Anyone with good, real world recommendations?
3sigma SVT are pretty awesome.
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Sorry, missed this!This was a "SCREEEECH! Hold up. I better try to get some answers ASAP!" moment for me...
With my intended usage, initially just as a multi-effects unit-in a loop switcher, are you saying that I need to leave it on, but bypass the DSP? I'm confused and concerned, since this is my sole reason for getting an HXS. I'm going to be running it through a loop on a Boss ES-5 or ES-8(I have both), and I don't want to have to leave it on all the time.
Also, I'm powering my board with a Strymon Zuma. I have a current doubler, but I need some kind of adapter, right?
Somebody help a brotha' out here!! I'm not above begging for help...LOL! @Digital Igloo
I have a thread about the DMC Micro with the HX Stomp on TGP but you might find this useful.
My current setup with the HX Stomp.
Disaster DMC Micro: Left switch is Tap and long press is Tuner. Right Switch is set to toggle either between Stomp and Preset or Stomp and Snapshot modes (experimenting with Snapshots).
I scroll presets on the Stomp and the Micro just changes it to the needed Mode. I leave the Micro in Utility mode all the time
Disaster 2 Button footswitch connected to the Stomp with it set to FS4 and FS5. I set them to standard functions in each preset (Mod and Verb for instance).
Be aware that you can also assign any parameters to be controlled via a Footswitch and have similar controls to a Snapshot but in Stomp mode.
It is sometimes referred to as a "Stompshot". On Bass, I sometimes use the FS4 and FS5 that way but I tend to use it more like a small pedalboard.
Stomp is set to be all Stomps so I have three onboard FS in Stomp mode.
Dunlop mini expression is running through the DMC Micro. I use the expression for Gain control and sometimes also engaging a Fuzz and/or a parked Wah/Filter at Toe down.
It all rides on a Pedaltrain Nano Plus.
I have to carry another DC adapter for the DMC Micro.
SO in a given preset, I have 3 labeled FS on board, 2 general FS in the expander switch, gain control on the Exp, Tap/Tuner on the Micro. And it is really easy to scroll presets.
I set my performance presets in groups of 3. I wouldn't likely use more than that in a performance.
Pretty great compact rig that drops into a backpack and I pack it in the Pedaltrain soft bag).
The pedals are offset enough for my big feet...
View attachment 3288550
I have a thread about the DMC Micro with the HX Stomp on TGP but you might find this useful.
My current setup with the HX Stomp.
Disaster DMC Micro: Left switch is Tap and long press is Tuner. Right Switch is set to toggle either between Stomp and Preset or Stomp and Snapshot modes (experimenting with Snapshots).
I scroll presets on the Stomp and the Micro just changes it to the needed Mode. I leave the Micro in Utility mode all the time
Disaster 2 Button footswitch connected to the Stomp with it set to FS4 and FS5. I set them to standard functions in each preset (Mod and Verb for instance).
Be aware that you can also assign any parameters to be controlled via a Footswitch and have similar controls to a Snapshot but in Stomp mode.
It is sometimes referred to as a "Stompshot". On Bass, I sometimes use the FS4 and FS5 that way but I tend to use it more like a small pedalboard.
Stomp is set to be all Stomps so I have three onboard FS in Stomp mode.
Dunlop mini expression is running through the DMC Micro. I use the expression for Gain control and sometimes also engaging a Fuzz and/or a parked Wah/Filter at Toe down.
It all rides on a Pedaltrain Nano Plus.
I have to carry another DC adapter for the DMC Micro.
SO in a given preset, I have 3 labeled FS on board, 2 general FS in the expander switch, gain control on the Exp, Tap/Tuner on the Micro. And it is really easy to scroll presets.
I set my performance presets in groups of 3. I wouldn't likely use more than that in a performance.
Pretty great compact rig that drops into a backpack and I pack it in the Pedaltrain soft bag).
The pedals are offset enough for my big feet...
View attachment 3288550
I did, but the smaller footprint just works better for some people. TEHOPlease don't take this the wrong way but I'm curious as to why didn't you just get a helix or LT?
Actually, I went the Stomp route first, then realized I needed the LT. Just picked it up this morning!I did, but the smaller footprint just works better for some people. TEHO
Totally get the smaller footprint which is why I have a Stomp. Just seems that that setup is as big as a Helix or LT going by the image, so I'm just curiousI did, but the smaller footprint just works better for some people. TEHO
That's exactly what I decided. I got the backpack too, so it made my entire board obsolete. I just couldn't jive with the whole midi thing. I need it all self contained, and easily programmed. I may grab the Native as well, for home studio work.Totally get the smaller footprint which is why I have a Stomp. Just seems that that setup is as big as a Helix or LT going by the image, so I'm just curious![]()
Every year we try to time a firmware release with NAMM and every year we find last minute bugs and it ends up dropping a week or two later. This year we gave up; I'm just announcing what's in 2.80 at the Friday night Helix Users party in the booth. Not sure if we're live-streaming it or not but chances are someone will talk about what's included later that night on social media. If it blows up I'll release the list Saturday morning; otherwise we're treating it like a very soft launch, as 2.80 won't be ready for download until spring anyway.Good Morning Mr. Igloo.
Any hints for the next Update? (do I hear a Sansamp?)
Every year we try to time a firmware release with NAMM and every year we find last minute bugs and it ends up dropping a week or two later. This year we gave up; I'm just announcing what's in 2.80 at the Friday night Helix Users party in the booth. Not sure if we're live-streaming it or not but chances are someone will talk about what's included later that night on social media. If it blows up I'll release the list Saturday morning; otherwise we're treating it like a very soft launch, as 2.80 won't be ready for download until spring anyway.
Yes, there's some bass stuff in there.
Overkill? yes.This! I've been eyeing off an MC6 for a while and wondering if it was overkill for what I was looking to do. You've given me renewed GAS....
I have a thread about the DMC Micro with the HX Stomp on TGP but you might find this useful.
My current setup with the HX Stomp.
Disaster DMC Micro: Left switch is Tap and long press is Tuner. Right Switch is set to toggle either between Stomp and Preset or Stomp and Snapshot modes (experimenting with Snapshots).
I scroll presets on the Stomp and the Micro just changes it to the needed Mode. I leave the Micro in Utility mode all the time
Disaster 2 Button footswitch connected to the Stomp with it set to FS4 and FS5. I set them to standard functions in each preset (Mod and Verb for instance).
Be aware that you can also assign any parameters to be controlled via a Footswitch and have similar controls to a Snapshot but in Stomp mode.
It is sometimes referred to as a "Stompshot". On Bass, I sometimes use the FS4 and FS5 that way but I tend to use it more like a small pedalboard.
Stomp is set to be all Stomps so I have three onboard FS in Stomp mode.
Dunlop mini expression is running through the DMC Micro. I use the expression for Gain control and sometimes also engaging a Fuzz and/or a parked Wah/Filter at Toe down.
It all rides on a Pedaltrain Nano Plus.
I have to carry another DC adapter for the DMC Micro.
SO in a given preset, I have 3 labeled FS on board, 2 general FS in the expander switch, gain control on the Exp, Tap/Tuner on the Micro. And it is really easy to scroll presets.
I set my performance presets in groups of 3. I wouldn't likely use more than that in a performance.
Pretty great compact rig that drops into a backpack and I pack it in the Pedaltrain soft bag).
The pedals are offset enough for my big feet...
View attachment 3288550