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Low End Jazz Megathread, post pics and soundbites!!

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WOW. That is perfect. Congrats.

How does it do the 'P' thing?

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The P is killin'. Brian put a stellar tone knob on it also. To my ear, I get more Marcus Miller slap tone, with this one, than my other LEJ's. Don't get me wrong, they can hold it down also. Brian said it because of the reverse P setup. Brian has spoiled me with his basses. "LEJ4LIFE"
 
Hey LEJ guys I need to move this bass ASAP and just lowered my price...
http://www.talkbass.com/forum/showthread.php?t=482740
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Darn nice ! Thought I was oddball having 2 6'ers, but you take the cake.

I really dig the finish on that new P/J. Nice burst, cool that the wood ain't fancy ... is it a matte finish rather than gloss?

Thanks Smash. Yeah it has a satin/matte finish. Wanted more of a vintage look. I saw the one Brian did for Adam Johnson was like WHOA!! Adam has a maple neck J/J.
 
Thanks Smash. Yeah it has a satin/matte finish. Wanted more of a vintage look. I saw the one Brian did for Adam Johnson was like WHOA!! Adam has a maple neck J/J.

Are there pics around of that one?

Yours I like so much, and would like to see more of it. I have a Hotwire Big Apple in satin - if only I'd thought of getting an LEJ done that way.

Seeing yours almost makes me want to start sandpapering my LEJ's and spraying them with satin. The all black one would look really cool at least, I think.

Hmmm.

Good clips, Beav.

It'd be nice if somone could make clips of the same bass & setting with the regular pickups and the single coils.
 
Are there pics around of that one?

Yours I like so much, and would like to see more of it. I have a Hotwire Big Apple in satin - if only I'd thought of getting an LEJ done that way.

Seeing yours almost makes me want to start sandpapering my LEJ's and spraying them with satin. The all black one would look really cool at least, I think.

Hmmm.

Good clips, Beav.

It'd be nice if somone could make clips of the same bass & setting with the regular pickups and the single coils.

Hey Smash, look on lowend', site and click on Sold gallery, click Lowend j-bass and scroll down until u see 6/24 TT Satin finish/maple board
 
I've got the LEJ 6 that went from Jorg Schroeder as a fretless to Andrew Jordan, who put on a flamed Maple fretboard, to Vincent Persons to me.... I love it, but really feeling like I want a 5er...

Somehwere between Andrew and Vincent, Modifications they dropped in a Bartolini 3 band with push/pull mid boost, it is amazing....

Cocobolo Top
Alder Back
And I think I want a five.... I'd accept trade offers +???
thanks,
 
Hey Smash, look on lowend', site and click on Sold gallery, click Lowend j-bass and scroll down until u see 6/24 TT Satin finish/maple board


Thanks. That does look gooood.

I notice Brian has a bunch of new ones in the "Sold" gallery. Some creative looks as always. I'm eager to see what he's got in store for NAMM.


Thanks. I've considered going over to the shop one day and recording clips with my bass with all 3 types of pickups, but I figured with my less than stellar playing it wouldn't really be worth it.

Beav, that's your call man but honestly the playing is plenty fine in your clips. The idea is to hear the tonal difference in any case, and with that in mind what might be most helpful is to just let notes from open strings and different parts of the fretboard really ring out for awhile.

Busy playing makes it tough to gauge tonal differences, vs. just a very long whole note where you can really tune into the depth of the tone and hear the complete attack and decay. So much in the fingers/attack can affect tone that the more fingers are involved the less the listener can really know what's coming from the player and what's possibly happening due to the hardware.

That's why human playing with eyes wide open and cash already paid out for the gear, when used to gauge supposed differences in bridges, string-through, cables, etc. is such a load of total rubbish.

On the other hand, arguably nothing has a greater impact on tone overall than the pickups (and strings, and relative spacing of the two). Beyond obvious things such as spacing to the bridge and type & strength (output) of pickup, the spacing between pickup and string is a *major* factor. It's much more important to get that exact than fancy playing. Even then, if the output is much different it'll be tough to tell what's a richer inherent sound vs. something sounding richer due to higher output.

So, it ain't easy, and the playing is the least important thing I suggest.

That said, if someone could do it, it'd be a real service to buyers and builder alike. And the factors I listed above won't matter too much if there's a definite clear difference between the pickups, which I presume there is given they're humbckers vs. single coil. We can then simply hear what that difference actually is.

Cheers man.
 
The P is killin'. Brian put a stellar tone knob on it also. To my ear, I get more Marcus Miller slap tone, with this one, than my other LEJ's. Don't get me wrong, they can hold it down also. Brian said it because of the reverse P setup. Brian has spoiled me with his basses. "LEJ4LIFE"



:cool:
That's a beautiful instrument!!! I love PJ setups!!!
Brian does a great job!!!
:cool:
 
couple of New MP3's posted from Players. Scratch's are studio and Hector's are live in Canada for a Corp. Cover gig.

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I just want to add; Thanks guys for the Wonderful 08 Year and those that made it out to NAMM last Month to hang, it was great to see everyone. The New Single coils went over extremely well. Thanks for the friendships and support of LEJ's and the LowEnd Bass shop!

:bassist:
 
Still waiting on mine....near as I can figure it's two pieces of blank glued together...oh, the pain!
 
couple of New MP3's posted from Players. Scratch's are studio and Hector's are live in Canada for a Corp. Cover gig.

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Wow, great players. I especially dig that first Scratch tune. My kinda band !

Brian, with Pacman's going to Tokyo for use in (inter)National Service it struck me that it'd be cool if the LEJ site had a map with all the places you know of where these are in use. And maybe what they're in use for stylistically. Like the "Player's Page" but cooler, which is where I was looking when I got the idea.

Speaking of which, my pic appears as an "x" on the Player's page now. I guess that's 'cause I didn't come down to NAMM and it was my turn to buy drinks & dinner ! I understand. Maybe this Summer.

I've got no hard feeling though, so I'll keep playing my LEJ. Lotsa fun these 6-strings. I'm now using it as bass and lead & rhythm guitar sometimes in the same tune by using a looper or having another bassist sit in. On this weekend's gig, for example (... adding to the library of LEJ clips) :

EDIT : BTW Brian, I recently found a sheet you must have sent me with the different EQ settings for "modern slap", "fingerstyle", etc. Good job copping some cool tones. Just lately I've been using the active EQ a lot more, mostly in the context of looping jams I'm doing so the different basses I layer can be heard more clearly in a dense loop. Lotsa sweet sounds for different contexts in there. Kudos.
 
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