95% of bassists use 66% of a guitar's strings, 38% of the time. This, compounded with the escalation rate of 12.5%, yields an exponential equivalent of 56.76% of strings, 45% of the time. The remaining 55% is split appropriately between 34% of the bass players, 22% of the guitar players, an astonishing 41% of fans and a meager 3% of establishment employees.
This radically changes with the inception of GAS. GAS immediately raises the ratio exponentially. GAS causes 66% of the strings to increase by 17% (+/- 1%) which, naturally, increases the remaining balance of percentages by 12.25%, on average, with ratio spikes of 5%-7% occurring on occasion.
Once a sound man is introduced to the equation, the GAS is counter-balanced to the extent of 14.25%. This does not effect the corresponding collateral percentages at face value, but 21.89% of the time, it reduces the 100% division factor by a factor of 39.45% to the 3rd power, as another product is entered into the equation approximately 4% of the time.
These percentages should be used with care, as they are only proven to be accurate to within .3347%, a rate that needs to be compounded daily for 43% of the duration time of the evaluation.
While it is a given that these numbers are 100% mendacious, care should also be given to ensure that you use these appropriately in 30%-40% of all bass-related equations. This will result in a success rate of near 100% (+/- 92%) when trying to disorient the average reader.
The average reader will only read about 10% of the material, though. To counteract this phenomena, increase all of the figures by at least a factor of 86% during the first attempt, with smaller increases in the range of 37%-56% in subsequent attempts.
Be well and use these figures at your own risk.