hey pat
When I make up bass lines I totally use the "Force", I only try to make it groove and fun to play. I also make sure I can play them with my fingers one day and with my thumb the next, this way I don't get burned out playing the same tunes night after night.
Right now i'm back playing with the spins. I also have a solo CD . it's mostly stuff i wrote when I first started playing bass. The first bass I had was an epiphone short scale bass with really flat and extra beyond the dead, strings. Because of those dead strings I wrote lots of easy sounding stuff. So, since I had a lot of time off, I decided to listen to some old tapes and turn that stuff into
songs.
With the spins I like to use Eden and SWR.
When i 'm doing gigs with other people and I don't have to be as loud as a jet plane I use a EBS GORM combo thingy with 300 watts.
because I'm a freak when it comes to the way my basses are set up, I just can't play any kind of bass. I have to have all my basses set like my original epiphone bass. (how sad) and believe me it's a total pain.. With my Musicman basses, I have the neck lowered until the dots are just above the body and then I have a another pick guard made as thick as a pancake, then I try to get the strings as low as possible. The main thing that I need on my basses is for the space between the strings and the pick guard to be wide enough so that only the tips of my fingers can fit.
The main two guys that totally influenced me were Mark Adams from Slave and Bernard Edward's from chic. These two guys were the masters of what I call the "flashy groove" Then there's p-funk, Earth Wind & Fire, Jaco, Stanley Clarke, Kim Clarke, Louis Johnson and all the local cats from around the way.
During one of our tours we shared the stage with bela fleck, and after the show I hunted Vic down and asked him to show me everything he could before our tour bus took off. That one hour changed my playing forever. I was already doing the double thumb thingy. but Vic had taking the plucking part to another level. I was in a total rut at that point and now i had something to do. I was working on that stuff all day and night for two years. Thanks to Vic for being a cool dude.
well thats pretty much everything
take care
mark white