• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Markbass - the evolution revolution

In my thought process, I take into considderation when I check out something I'm not familiar with that... I'm not familiar with it. That it would make sense on a very basic level to get familiar with it before dismissing it. Can either of us count the times someone's talked about how muddy an LMII is... only to find that they set a couple of basic controls incorrectly due solely to ignorance of the product?
:D

I understand where you're coming from. I have actually spend the whole weekend with the lm2 at home and with the band playing it.

But it always left me wanting something. Then i went to the store and compared it with the other head and that's when i knew the lm3 wasn't for me.

I actually WANTED to like the LM2 more since the weight and size-advantages can't be argued with.
 
Anyone mentioned "Lancelot Link" Yet??? :D:hiding:

That band looks very similar to one of the band's I currently play with. There is a strong resemblance between me and their bassist for certain. Thanks for drawing that parallel.;)

Markbass amps, so easy to use even a monkey could..........
Well, I always thought I was a bit of a shaved ape anyways.:D

2775265148_0e051cca0f_o.png


2774398899_b32a9d334c_o.png


Cheers,
Paul Theriault
Bassjones
Link Removed
 
Literally!

Through my past experiances working at guitar center I can say that it is definatly the best stuff in the store. However, I dont understand why the cabs keep catching on fire. On at least 3 different occasions, one at another store. A mark 1x15 got toasted, as well as a 4x10.

Maybe cause it was left on? Does it have something to do with the 2ohm load? Who knows? A co-worker bought the little mark II and it light up, but there was no sound after weeks of ownership. He said the company sent him a new one. But he will probably never play the same show again.

I feel the company is onto some great things in sound for bass, but needs to improve on these matters.:confused:
 
I've had my LMII for a week or two now, ( I kept procrastinating, 'cause I don't NEED another amp, but you know...GAS). A few thoughts:

The Limited Edition might be a better choice if you don't like the vivid colors of the standard models-Although some say they don't like Marco's face on the chassis!

LMII is way loud at 4 ohms- If it doesn't have enough "balls" for a player, please warn me when your project is performing so I can wear some serious ear protection.

The amp, IMO-
* is easy and intrinsic to eq, when you learn how the filters interact with the rest of your signal chain.
*It does produce a tube-like resonance and quality (I own two fine tube heads, so have a good basis of comparison)
*It's light, that's for sure.
*Very well-built product.
and like every other piece of gear, not necessarily for every player.

The SMPS are certainly revolutionary, I don't know if MB was the originator, but I will say this for them:

A LOT of the uproar and raves about the LMII could have been avoided if MB simply would have PRICED the head at about, oh, say $1500 US.

They would have sold SOME units, but it would have been placed in the stratosphere of other high-end heads that are revered, but out of reach or un-practical for many players.
At < $600 though (which is quickly getting to be the price of a good meal!:D) so many players made it their choice and started raving ecstatically, the story begins...

Nothing wrong with the marketing plan and GC distribution either. I think it's a very effective business model, like it or not. Glad they finally decided to sell them on-line though. I personally try to avoid going into GC if I can!

Finally- like any bass amplifier, MarkBass products are engineered with performance parameters and their own individual voice. Every bass head has it's own tone, timbre, and sonic reproduction, recreated by how the player uses it and what he or she can do with it.
A LMII is a different animal than a Genz-Benz, or a Mesa, or a Trace, or an Ampeg, etc.

I happen to own all of the above, and happily play them all when the occassion arises- I love making the choice-They all sound great and perform great, and not one is "slayed" or "buried" or "killed" by the other.
Nothings for sale.

...And I still don't find it too much of an ordeal to carry a 30-lb SS or hybrid head around, or a 45-lb tube head, or a 90-lb (!!) tube combo to the gig.
What's the big deal? I have a car; and the wheel has been invented.
Now THAT was revolutionary!
 
Picked up a R 500 this week from a TB’er and have to say I am VERY impressed…

This is the 3rd MB I have owned and am now “back on the bandwagon” for their stuff

I owned a 2-10 combo for a while that I liked, but never quite fell in love with

I briefly had an F1 which was definitely not my thing, was intrigued by it and wanted to try it, the Class D power or something just wasn’t my sound at all…

I had kind of figured I wouldn’t go back to MB and then saw this R 500 for sale on TB…had no idea it was even out there but sounded good on paper so I bought it and was really floored…warm, round and rich tones just like I have been looking for, and a whopping 8 lbs only

I think the overall message of this post is I have to give kudos to MarkBass like so many others have done on TB…I am a Product Strategy Consultant for a living and these guys know how to roll out a line of products…I can’t think of many brands that offer so much for so many different kinds of players. Want more modern, quick sound get an F1, want a warm vintage tone get an R 500, and about 10 options in between

Just good products and good business!!
 
hey Jimmy your right on. My F-1 does have an ampeg type tone. I never put the connection together till I read your post.
My search for my dream head finally ended, I've had this head for six months or so and done many shows with it and really dig it. I even went out and picked up a Minimark for home use. We all know how light and powerful they are but I find that markbass amps are warmer than given credit for. When I crank my F1 up with my aggie GS212 that sucka sings and without the grind I use to get from my 1001RB.
 
Literally!

Through my past experiances working at guitar center I can say that it is definatly the best stuff in the store. However, I dont understand why the cabs keep catching on fire. On at least 3 different occasions, one at another store. A mark 1x15 got toasted, as well as a 4x10.

Maybe cause it was left on? Does it have something to do with the 2ohm load? Who knows? A co-worker bought the little mark II and it light up, but there was no sound after weeks of ownership. He said the company sent him a new one. But he will probably never play the same show again.

I feel the company is onto some great things in sound for bass, but needs to improve on these matters.:confused:

best.....post......ever.

You gotta love the fanboy threads.
 
hey Jimmy your right on. My F-1 does have an ampeg type tone. I never put the connection together till I read your post.
My search for my dream head finally ended, I've had this head for six months or so and done many shows with it and really dig it. I even went out and picked up a Minimark for home use. We all know how light and powerful they are but I find that markbass amps are warmer than given credit for. When I crank my F1 up with my aggie GS212 that sucka sings and without the grind I use to get from my 1001RB.
Well I'm glad it's working out for you, Toneman, but I have to confess that I was talking about the LMII, not the F1. But hey, it's all good. The F1 is a terrific sounding amp, too.