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Meazzi Hollywood (referenced) project

So due to my luthier Dan having personal issues, the neck won't be done until after the new year. Oh well, such is life.

In the meantime I did a little project. I put together a a P-bass 'parts bass' a couple months ago and decided to add a bridge pu. The neck, body, pg and bridge were given to me as a partial trade for some 'friend' work. The maple/maple neck might be an SX judging by the hs shape, which I redefined. It is decent and the frets are 'like new'. I stripped the amber gloss off the neck and left it on the fb. Looks good. Installed vintage Ibanez "heart-shaped" paddle tuners, a Fender PV63 P pu, and electronics. Turned out to be a really good sounding P.

So installing the bridge pu (31.5" from the nut - pretty much like a pre-CBS J), I routed for it and discovered that the body is (swamp) ash! It's a light bass and the Fiesta red body was generic so I assumed it was basswood. A pleasant surprise. I decided to install a stacked pot for both pu's volumes, and had a Dano knob/collar set in my parts bin. I hooked it up but the lipstick pu is weak. Most lipstick pu's are in the 4k range, and a bridge J pu is 7.5k. I searched the web and found a Kent Armstrong SLHD-1CRR Split Tube Series Saturn 5 Hot Lipstick Pickup that ohms in at... 7.5k! Got the last one the Reverb seller offered. Owning and playing my Dano-made basses, I love the Dano bridge pu tone and I'm looking forward to hearing this cool P/L. P's (like this one) are generally darker sounding and the punchy lipstick pu should offer a broader tonal range. I'm generally a "mid-range tone" bass player. Updates once the pu arrives and is installed.

A final note: a "parts bass" is perfect for "whim" modding. Like "why not?"... if it leads to a bass you are drawn to play - score! :bassist:


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The 'hook' was there, I rounded-off the Fender-esk lower section to look more like a Tele hs shape.
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The maple fb catches light and looks like binding - subtle and nice.
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~ just got an email stating that the (perfect) pu I just ordered is out of stock and I've been refunded. For some reason, it all seemed too easy...

If you try contacting Armstrong directly through the UK site they might be able to help you out. I've had Kent answer directly and they were happy to do custom one-offs and the prices were quite reasonable. Contact us | Armstrong Pickups
 
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If you try contacting Armstrong directly through the UK site they might be able to help you out. I've had Kent answer directly and they were happy to do custom one-offs and the prices were quite reasonable. Contact us | Armstrong Pickups

For whatever reason my email to KA (using their platform) is not able to be sent. In the meantime I found and ordered one on Reverb from the same Florida company. Oddly it is rated at 7.6k and was a bit less expensive. (?) It also was 'the last one' so after ordering it I contacted them to make sure it was going to be delivered and they confirmed that it will be sent early next week. (after the holiday weekend) Back to our regularly scheduled program...
 
Been awhile... the neck is taking quite a bit longer than anticipated. I saw it last week in its rough glued together state and hope it will be completed soon. It's basically out of my control so I just have to keep busy with other things in the interim and not get stressed about it. Eventually it will be finished and when that happens I'll charge up this thread again. Meanwhile, life goes on.

As far as the generic P.., I got and installed the KA pu and did a bunch of work on the stack-pot tailored to the two disparate pu's. (a while ago) And the end of the day, it sounds good but because the pu's are so different it was difficult to get them to work fully together. I even contacted Kent Armstrong and he wasn't able to offer a solution. I guess that's why you don't see that combination. (P & lipstick) Anyway... live & learn.

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Is this the stuff you used on the disco bass? It's the only orange glitter paint I can find locally.
Also, did you use a regular orange paint as a base coat, over black primer? Or just the glitter right onto the black primer?


I shot a colour called Rustic Orange (satin) as a base-coat. And yes - Orange Blast Glitter Blast.

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I shot a colour called Rustic Orange (satin) as a base-coat.
Sorry to be a PITA,....I could only find orange in a gloss.
Did you use satin for a specific reason? Any undesirable effects with a gloss base coat?
I would do a test piece, but the glitter can is tiny and I'm afraid to waste any (I only bought one).
 

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Sorry to be a PITA,....I could only find orange in a gloss.
Did you use satin for a specific reason? Any undesirable effects with a gloss base coat?
I would do a test piece, but the glitter can is tiny and I'm afraid to waste any (I only bought one).

I would use scotch-pads to dull the gloss once it cures. Gloss is not desirable for overcoating - you want a surface that accepts the following over-layers. On my DiscoBass, the final clear-coat was (Stew Mac) satin lacquer. I did a few light coats and wasn't attempting to 'level' with the lacquer. I did this deliberately to keep a subtle texture, and also to allow it to be worn off - as in... player wear. (down to the rustic orange base colour) I did one finish like this once and had Marty Bell (now retired I've heard) do a final clear-coat gloss finish on it.

Oh.., I failed to mention that I also used "Golden Glow" Glitter Blast on the DiscoBass along with the "Orange Blast". Just gave it a bit more "gold" ...

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Tuesday. I pick up the neck on Tuesday. Only 5 months overdue... oh well - probably all the better as the last 6 months (commissioned in October '21) have been busy and productive for my band. Here's a song from a recent recording session we did. Enjoy!