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Double Bass Meinel bass at auction

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This is a fully carved bass. It is solidly built. The bows are average no name shop bows. The stand is home made.

I believe this bass has not been played since Mr Meyer passed away suddenly 5 years ago, the strings were down a whole tone. I tuned it up and played it today. It is set up for classical, with arco strings close to the fingerboard. It is easy to play top to bottom.

The sound is clear and light in thumb position but does not have the bass depth of sound required in the lower registers for any Beethoven or Mendelssohn symphony, or a jazz gig. I do not believe this is the bass used in the ‘Discover the Double Bass’ CD. I did not bid.

I just had to go and play this bass before the auction end as I have a deep respect for Mr Meyer. I believe it is not an exaggeration to say Robert Meyer in his UK orchestral heyday is at least the equivalent today of Hal Robinson in the USA. Robert Meyer had an amazing career and I feel fortunate to have met him almost 5 decades ago.

About Robert Meyer

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Thanks Casey. I didn’t play the bass, but it doesn’t look like something a high level player would use themselves. I assumed that it was a bass he used for teaching or maybe as a rental for his students… I look forward to reading your link to learn a little more about him. I saw a video about him once, but it was many years ago. Cheers
 
It may have been his “office bass.” I considered its’ little brother years ago, a hybrid whose rib had been smashed to $#!t and slapped back together, and it was a sturdy sucker.

The one I tried was on Craigslist for about a grand. My big Solano cost me less than $2600.
 
Well, the story on this bass is interesting.
This is from his book ‘The Bottom Line’.

The end of Meyer’s professional bass career was the death of his daughter from cancer. He was so distraught he could not bring himself to play. He sold his Betts, old Italian and newer custom solo English Lant basses. He also sold his 5 bespoke bows made by his friend PW Bryant.

It was 14 years and a custom 2 acre waterfront home on Vancouver Island in Sooke before he decided maybe playing bass again might be a good thing for him. This was about 22 years ago.

He needed a bass for a new orchestra being started by an old friend. Mary Rannie, principle bassist of the Royal Victoria Symphony and both good friends of Gary Karr, loaned Meyer a fine old bass and bow. Meyer broke the bow while playing one day. James Ham told him that bow had a flaw.

Dismayed by what happened to Mary’s bow he went bass shopping with his son Nicholas. He tried a few in a Vancouver store. Meyer had never bought a bass from a store. They were usually handed down by teachers or colleagues, from players like Eugene Cruft. So the basses in the store were all totally unsatisfactory. As Meyer was leaving, the salesman said he remembered one more in the basement.

Meyer reluctantly tried it, and lo and behold, it was the one. This one in today’s auction! The Eberhard Meinel. Perhaps being sold by Nicholas Meyer.

In Meyer’s words from his book:
‘The ribs and back were maple of a nice flame, the belly close-grained pine. It was very well made. There was a touching note in German roughly translated to “I have made this instrument for you and hope you have many happy hours playing it”. The bass was made near the town my father lived, I thought what a coincidence. On the way out the door with the bass the salesman informed us a tutor was included in the price. I politely declined.’

Robert and Nicholas next went to a Ford dealership and bought a station wagon for his new bass. At home he pulled out Simandl’s Gradus ad Parnassum and went to work to prepare for the bass chair of the new Sooke Philharmonic his friend put together. He was 78 years old.
 
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Thanks Casey. I didn’t play the bass, but it doesn’t look like something a high level player would use themselves.

You would have no doubts if the auction started at a fair price of $3,000 or so. (I don't know the prices in Canada and the USA.)
This is good bass. I now have one such bass. I had another such bass in 2007-2009. This is a classical German school. Maple with a noticeable flame, good spruce, ebony. The size is slightly smaller than the usual 3/4. It is a solid professional bass for constant work.

N.B. I am writing this with the understanding that all basses are individual and as a reminder that I cannot judge from a photo. But this is my personal experience with basses of the same kind, probably made in the same factory and at the same time.
 
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