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Mel Schacher

Greetings from the North,

Grabbin that Red Grand Funk album (the one with Mel in the Poka Dot shirt, I think it was poka dot). Snatchin out that LP and throwin it on the turntable. Plug it into a 'Realistic 15" Bass Combo amp'. Place the needle on "Paranoid" and CRANK IT UP! Oh ya, lock the door so they can't get at you lol........

Rezdog

I thought I was the only one that did that! Mel is the man without a doubt! On Time is still one of my favorite albums.Nice to see Mels name mentioned again.
 
+1

It's scary how much "Mel" I hear in my own playing, to this day. I stole a lot of my early ideas from that guy

:bassist:

Same here. I recently pulled out an old GFR record and noticed the same thing. I ripped Mel off for a few licks for sure.

I remember that I HATED his recorded tone. I saw them live and Mel's bass was earth shaking to say the least. Can you say "HIGH" (in more ways than one) power trio?

It would be nice to see the original GFR tour again but with Mark and Don hating each other now ......

I don't think that will happen.

Keep Low :bassist:
 
Back on topic....I grew to Mel on bass. His distorted bass on "Grand Fink Live" or "Mark Don and Mel" probably had more to do with hearing loss at a young age than anything else, except maybe Humble Pie Rocking the Filmore or Allman Brothers at the Filmore.

Heh...I kind of remember seeing GFR from the 2nd row in Buffalo around early '71. Who needs to hear those pesky above-10K frequencies anyhow? :cool::bassist:

Mel was a huge influence on me when I took up bass a bit after that. Those other albums you mentioned rocked my world pretty hard too though...
 
Just wanted to add that there's some nice vids on you tube of both Don and Mel's version of GFR and Mark's version too. Although Mark can't use the Grand Funk name when he tours.

IMO it's just not GFR without Mark Farner's vocal and guitar work.
 
I second the above. His style was used when forming my own back in the early seventies. He was an absolute monster on bass. I personally dig that kind of bass playing much more than the slap monsters of today.

Thanks Mel!

Amen brother! Mel is one of the Gods of Bass.

Just last week I was rockin out on my bass through headphones to one of their Best 0f..CDs. My wife and kids asked me to stop because my singing was scaring them! :o:D

Mel, Jack Bruce and Tim Bogart had a big influence on me early on.
 
Greetings,

I don't think Mel got the recognition that he so deserved because of the powers that be in the musical press at the time. There was alot of bias towards GFR stemming from Terry Knight's early involvement with them, if I recall correctly. But I think most of us did indeed borrow a lick or two to add to our arsenals from Mel. I know I did and still use them now and again to this day. I think he'd enjoy this thread if he knew about it.

Rezdog
 
The Red Album kills!! Drove my folks nuts listening and learning Paranoid!
He sure had the "blues" licks and riffs down! Plays lines exactly as a rocker bassist should - big and phat with bluesy chromaticisms thrown in!
I learned a lot learning his lines!

One thing I admired about GFR was when they started incorporating keyboard parts into their songs, they went out and hired a keyboard player as a permanent band member. I wish The Who and The Stones would have done likewise, instead of hiding a "support member" behind the curtain (or worse yet - played to tapes!!)!

Great player! Cool band! Have his autograph even! Short dude.
 
Back on topic....I grew to Mel on bass. His distorted bass on "Grand Fink Live" or "Mark Don and Mel" probably had more to do with hearing loss at a young age than anything else, except maybe Humble Pie Rocking the Filmore or Allman Brothers at the Filmore.

We're old, but we have fond memories, don't we.

Thanks for posting this.

All those albums and 'Free Live' were on my turntable all the time when I was learning to play. Grand Funk were on all my early bands set lists. Good times. good times.:)