Have fun with the woodworking games! And good point about the cabs. I think many people (and I used to be in that cab) underestimate what a huge impact they can have on your tone, max volume, articulation -- everything, really. When you're playing electric, cabs are, to some extent, analogous to the body of a doublebass -- not entirely, of course, but they are the big, vibrating, air-moving part of your instrument -- an important part!Update: Surprisingly the 1x15 cabs sounded horrible. Not just mediocre, but horrible. With both 1x15's plugged in (for a 4 ohm load), they were probably less than half the volume of the 2x15 cab (at 4 ohms), and distorted with the same amp settings as going into the 2x15... and horribly distorted when I tried to bring the 1x15's up to the same volume.
The cones in the 1x15's were bouncing back and forth at least an inch. After doing some research, it would seem that the port is dramatically undersized on those two cabs. I found some plans online that create 1/2 of a Sunn 2x15 cab (the 2000s if I remember correctly).
So last night I pulled the speakers back out, and unscrewed the front panel (it wasn't glued). My plan at the moment is to create a new face assembly that includes the classic long narrow port (2 1/2" x 20 as I recall) and the 45 degree baffle inside.
I know that kinda falls into a thread about cab building, and I'm going to end here. But it definitely shows the effect of cabs on a head, and how a perfectly good amp can be completely failed by crappy cabs...
Oh well, let the woodwork games begin!
If you do achieve improvements with the WA and those cabs, report back!