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Ok, I'm seriously considering swapping my Ampeg SVT 6Pro, and Mesa Deisel 215, for a brand spankin' new M6 Carbine. I'd pair it with my GB Uber 212. Aside from the small amount of money lost on the deal, (though it's a straight swap), can any of you Carbine owners think of a reason why I SHOULD'T do this?
Ok, I'm seriously considering swapping my Ampeg SVT 6Pro, and Mesa Deisel 215, for a brand spankin' new M6 Carbine. I'd pair it with my GB Uber 212. Aside from the small amount of money lost on the deal, (though it's a straight swap), can any of you Carbine owners think of a reason why I SHOULD'T do this?
Ok, I'm seriously considering swapping my Ampeg SVT 6Pro, and Mesa Deisel 215, for a brand spankin' new M6 Carbine. I'd pair it with my GB Uber 212. Aside from the small amount of money lost on the deal, (though it's a straight swap), can any of you Carbine owners think of a reason why I SHOULD'T do this?
Only if you like carrying around heavier equipment that doesn't sound nearly as good...
In time MESA Powerhouse 12's; either 2x12 or 2 1x12's and you'll be blown away.... I'm sure the GB Uber 212 will work...![]()
Hey LowB,
Do you stack the 1x12 cabs vertically, or lay them side by side horizontally with your rig?
I am not a Carbine M6 owner (yet), but I have an M9, and I absolutely love it with the PH 212 and 210 cabinets stacked. Just a killer rig!
I was thinking of getting an M6 (or Thunderfunk) and 1x12 PH as a quick grab and go combo to do smaller stuff and jams with my buds. I could add another PH112 if I needed something bigger, and it would be more portable than the setup I have in my studio space.
Thanks,
Dave
Dave - I've done both. also, the PH 2x10 with the PH 1x12 on top is rocking. The 2x10 puts out so much bottom. I've played it with my SWR Goliath 4x10 and it sounds as large and loud... Fantastic stuff that MESA!!!
Rich![]()
I am not a Carbine M6 owner (yet), but I have an M9, and I absolutely love it with the PH 212 and 210 cabinets stacked. Just a killer rig!
I was thinking of getting an M6 (or Thunderfunk) and 1x12 PH as a quick grab and go combo to do smaller stuff and jams with my buds.

I'm just happy that it is designed to run safely at 2 ohms...I really like the tone of this head, it's probably the only "led-sled" type solid state head I'd consider buying. Just curious though, how does it switch from 2 to 4 ohms? I thought that was a tube amp option. Usually SS heads gradually increase in power as the ohm load lowers, I don't get why it should stay the same on the M6/M9, much less need a switch.![]()
sunbeast's post is pretty accurate. I believe all the switch does is place a limiter on the power section so it won't put out any more power than the amp can safely supply without overheating and/or failing. In the Bass Gear Magazine (Issue 1) test, it tested out to it's rated 600 or so Watts into 4 ohms, but only about 700 or so Watts into 2 ohms. This tells me there's a limiter involved because those numbers don't really work out if there wasn't one in place. I know we talked to these guys about the design at NAMM, but I can't recall the details and it was after we wrote the review, so it's not in there, either.I really like the tone of this head, it's probably the only "led-sled" type solid state head I'd consider buying. Just curious though, how does it switch from 2 to 4 ohms? I thought that was a tube amp option. Usually SS heads gradually increase in power as the ohm load lowers, I don't get why it should stay the same on the M6/M9, much less need a switch.![]()
Thanks Rich. I also love the big punch of the 2x10, but the 2x12 is simply breathtaking as well. Both combined are just ridiculous!!!
If I had to complain about one thing, it would be that for Neo speaker cabs, they are absolute nut busters! I can only imagine what they would weigh if they weren't Neos! LOL!!!
I know you had a Thunderfunk 550, and was wondering if you could give me a direct comparison to the M6.
Thanks again,
Dave
sunbeast's post is pretty accurate. I believe all the switch does is place a limiter on the power section so it won't put out any more power than the amp can safely supply without overheating and/or failing. In the Bass Gear Magazine (Issue 1) test, it tested out to it's rated 600 or so Watts into 4 ohms, but only about 700 or so Watts into 2 ohms. This tells me there's a limiter involved because those numbers don't really work out if there wasn't one in place. I know we talked to these guys about the design at NAMM, but I can't recall the details and it was after we wrote the review, so it's not in there, either.
So does that mean it just lowers the rail voltage to the power amp? This part of amp design I'm a bit fuzzy on.I believe that it uses a multi-tap transformer on the power supply to switch between 2 and 4-ohm operation.
So does that mean it just lowers the rail voltage to the power amp? This part of amp design I'm a bit fuzzy on.

So based on everyone's glowing reviews I headed to GC today to check out the M6 Carbine. It sounded great - very un Mesa sounding. Then I tried a comparison. so I fired up a Markbass LMII next to the M6 and to my ears the Markbass ate the M6 Carbine for lunch. I'm not even that much of a Markbass fan. I was shocked.![]()