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Mesa Subway Bass DI-Preamp

There are three basic elements to a bass "amp": the preamp, the power amp, and the speaker+enclosure.

You can buy this system all at once (combo amp), in two parts (bass head + cab), or in three parts (preamp, power amp, cab).

Suggesting that a discussion about a preamp belongs in effects is silly. That's about the best word I can use without baiting a moderator to send me a warning.
I see it the same way. But, I believe @mikeGJ was mainly reflecting the growing preference to put the preamp on a pedalboard; and the so-called "Effects" forum has kind of turned into a "Pedalboard" forum. There are a slew of new preamp/DI's targeted at that user group.
 
There are three basic elements to a bass "amp": the preamp, the power amp, and the speaker+enclosure.

You can buy this system all at once (combo amp), in two parts (bass head + cab), or in three parts (preamp, power amp, cab).

Suggesting that a discussion about a preamp belongs in effects is silly. That's about the best word I can use without baiting a moderator to send me a warning.

Call me whack if you like, but there was already a thread on this DI/Pre in "effects", as well as threads for many similar DI/Pre "pedals", and I didn't start any of them.

You can try to move them ALL back here if that makes the most sense to you, but that horse has already left the barn, IMO.

Folks see them as gig bag items, or pedal board pieces. It's a different view, and not necessarily the right one but "it is what it is".
 
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Call me whack if you like, but there was already a thread on this DI/Pre in "effects", as well as threads for many similar DI/Pre "pedals", and I didn't start any of them.

You can try to move them ALL back here if that makes the most sense to you, but that horse has already left the barn, IMO.

Folks see them as gig bag items, or pedal board pieces. It's a different view, and not necessarily the right one but "it is what it is".
I think that is correct; except I would also point out that other preamps in that group, such as the Noble, also have their own threads in the Amps forum. And, as I said earlier, we have traditionally discussed preamps in this forum. I personally don't think of preamps as an "Effect." But, as I also stated earlier, the "Effects" forum is now viewed by many TB'ers as a "Pedalboards" forum. And, in our great tribal manner, we are getting subdivided into those who use pedalboards and those who don't. Which is kind of comic, but, anyhow...:)

It is a bit confusing when threads for products are going on in parallel in different forums.
 
I think that is correct; except I would also point out that other preamps in that group, such as the Noble, also have their own threads in the Amps forum. And, as I said earlier, we have traditionally discussed preamps in this forum. I personally don't think of preamps as an "Effect." But, as I also stated earlier, the "Effects" forum is now viewed by many TB'ers as a "Pedalboards" forum. And, in our great tribal manner, we are getting subdivided into those who use pedalboards and those who don't. Which is kind of comic, but, anyhow...:)

It is a bit confusing when threads for products are going on in parallel in different forums.
A Pedalboard Preamp Forum perhaps.;):roflmao:
Call it the Preamp Stomp Soapbox
It'd get busy there fast.
But better here than in Effects. Ymmv etc.
 
Why don't ALL these kinds of bass DI/preamps have a thru out like this one does? Isn't it obvious that a signal you've EQ'd for your stage sound isn't always going be the most usable signal for FOH? After reading through the manual the Subway DI-Preamp is in terms of pure versatile functionality head and shoulders above anything else in its class or price range.

Based on the flexibility of this thing and how much I dig the EQ on the D-800 amp I'm going to give it a try as soon as L&M has them in stock. I can see it replacing one or two or....three things I've got now. If nothing else it'll likely be the go-to on a regular low volume restaurant gig with an acoustic piano player where I run my bass through the house PA.

The simple fact that unlike almost every other bass DI/Pre it's not cluttered with an unnecessary on/off stompbox switch says a lot about the thought that went into who it's for and how they really use a tool like this.
 
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This is the kind of box that along with a good IEM setup gives a very good amp-less solution, which is what you are both saying.

Also, I happen to think that breaking out the pre from a separate power module will be a very flexible way to go, in general. But, now we just need to convince more companies to offer self standing Class D power modules. Say, in a format that can be mounted in speaker cabs....
 
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This is the kind of box that along with a good IEM setup gives a very good amp-less solution, which is what you are both saying.

Also, I happen to think that breaking out the pre from a separate power module will be a very flexible way to go, in general. But, now we just need to convince more companies to offer self standing Class D power modules. Say, in a format that can be mounted in speaker cabs....

I think a large part of this challenge is the unwillingness of manufacturers to invest significant costs into the safety and EMC certification of an approach that has not been able to gain much traction in spite of the attempts. I have heard from several folks here about this, and how inexpensive it would be to make such a product, DIY builders might be able to ignore the requirements for safety and EMC certification but certainly I wouldn't expect main stream manufacturers to follow this path.

Just to put things in perspective, the start to finish cost to bring a new product through global EMC and safety certifications (with national differences) runs roughly $30k assuming everything goes pretty much as expected. That's a big nut to crack on a specialty product, and would take an awful lot of confidence to move forward on IMO.
 
I think a large part of this challenge is the unwillingness of manufacturers to invest significant costs into the safety and EMC certification of an approach that has not been able to gain much traction in spite of the attempts. I have heard from several folks here about this, and how inexpensive it would be to make such a product, DIY builders might be able to ignore the requirements for safety and EMC certification but certainly I wouldn't expect main stream manufacturers to follow this path.

Just to put things in perspective, the start to finish cost to bring a new product through global EMC and safety certifications (with national differences) runs roughly $30k assuming everything goes pretty much as expected. That's a big nut to crack on a specialty product, and would take an awful lot of confidence to move forward on IMO.
Most people fail to understand that getting good ideas to market is largely limited by infrastructure related issues, as you've mentioned.

But, won't stop us users from asking....:D

My first use of this preamp will be with the Demeter Minnie 800D. That box is actually a good start at the footprint I'm thinking about.
 
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Will running this preamp through the effects return of another class d amp (streamliner 900) make the tone different from a regular d800? I know might be a silly question...
Yes, but mostly when driving the amp hard because the D-800 has several anti-saturation control circuits that allow for the amp to work well under these conditions.