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Mike Anthony

I think Mike is an easy target (especially if he claims to be better than Stanley Clarke) and while some of his lines are dull-ass boring, he's got his moments: "When Push Comes to Shove," "Mean Street," "Beautiful Girls," "Somebody Get Me A Doctor" all have cool bass parts and his tone on Roth-era VH is righteous. I read an interview with Eddie Van Halen where he said he wanted a bass player to lay it down for him, not compete, so Mike's just doing his job.
 
I'm gonna come in on the "pro-Mike" side here. I used to think he just sucked, but as I matured as a person and player, I began to recognize that he was doing what was necessary to make the music work.

I think that some of his comments that have been brought up here are examples of how the written word can be easily misinterpreted. I read the same interviews, and got a totally different picture of where Mike was coming from. He seemed to be a very good musician (remember he was a damn good trumpet player before being a bassist) who's just doing the job that needs to be done. Yes, he pointed out that playing solid and simple things aren't as easy as they seem, but I didn't sense any hubris in the comment. Heck, even Miles Davis once said "Simple ain't easy". So true.

The comment about his solo and Stanley Clarke wasn't his opinion at all, he was merely relating the opinion of a music listener. And isn't that who we really play for anyhow? If something you or another musician plays moves a listener, we've done our job. The technical ability required or the asthetic sensibility of other musicians is of NO value to the average listener. And guess what, that's who pays your bills if you're a pro musician. Never forget that.
 
also Mike Anthony said "is this the mentality of the people we play for?" re. the "your solo kicked ass over Stanley Clarke's" comment of a fan.

I've been listening to the "Right here Right now" live VH album.
I like MA's fills on "Spanked", the unison guitar/bass fill on "pleasure dome" which is quite tricky, and the intro to "man on a mission" sounds like two handed tapping doubling the guitar part (root-flattened fifth-octave on A D and G strings plus chromatic run down the E string)- I haven't seen the video so it's hard to tell exactly what's going on there.
 
the intro to "man on a mission" sounds like two handed tapping doubling the guitar part (root-flattened fifth-octave on A D and G strings plus chromatic run down the E string)- I haven't seen the video so it's hard to tell exactly what's going on there. [/B][/QUOTE]

the intro to Man On A Mission, is played on the A D G strings, starting on the 12th fret. tapping out the A, D#, A, D#, then A again. The run is played on the A string. Not sure of the notes to it, as i havent played it in quite sometime