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Mini disc questions

Hi, I just picked up a Sony MZ-R50, and plan to use it to get a direct recording from the soundboard, on or live gigs. I will then use the optical out to go into my soundblaster 5.1 platinum soundcard, to convert to .wav format, edit in soundforge 6.0, then burn to CD.

Once the CD is burnt, I can delete the files on my computer, and re-use the minidisc for the next recording.

This all sounds good in theory, but I wanted to know if any of you with experience with such have any suggestions?

We've done board recordings in the past, and most of the time, the vocals, and sometimes other instruments record too hot, and are very distorted. Is there any sure fire fix for this? I had the idea of adding a compressor to run between the mixer, and the MD recorder. Will this solve my problem without squashing the whole mix?
 
Sorry, the MD you bought does NOT have an optical output, analog only. You can still transfer to your PC, just not digitally.

This confuses a lot of folks, but there are no current MD portables with digital outputs, only decks have them.

Before I bought my deck, I used to do analog transfers to my Mac for burning CDs and this worked fine, although it's slow (real time vs. high speed).

Since MD is digital, the way to avoid distorted levels is to set them low. Get a rough level during sound check then back off 3-6 dB. You can then boost the levels on the computer when editing. I have some MDs where the peaks are as low as -8. Don't worry about losing dynamic range, the range of the media is much greater than you need so tossing a way a few dB isn't an issue.
 
Originally posted by brianrost
...snip

but there are no current MD portables with digital outputs, only decks have them.

snip...
Well, actually the HHB MDP500 has both opto & co-axial digital outputs. I record some of our gigs with my little Sony MZ-N707 using a Sony ECM-MS907 mic - very small, light, easy to set-up, but as mentioned elsewhere, a pain to get to files off so they might be useful elsewhere - the no-opto out thing on the MD Walkman confused the hell out of me until I realised it was all part of Sony's paranoia (sound familiar?). This is where the HHB comes in handy - I can put the MDs (recorded in SP mode) in the MDP500 and copy the files to wherever I want.

- Wil
 
You're right, Wil...the HHB does have digital outputs....and a $1500 price tag! It's a professional unit though; there is also a pricey Marantz pro MD portable with digital outs.

At that price, though you could buy TWO Marantz's pro CD-R portables or two of their new Compact Flash based recorders (no moving parts!).

There are no CONSUMER portables sold today with digital out. I doubt paranoia has anything to do with it, MD is still marketed mostly as a playback medium, people using portables for live recording are a minority of total users and it's only been the last couple of years that there was any gear to transfer the audio to anyway. Sony does have digital outs on most of their MD decks.

So Wil do you own an HHB or are you borrowing one?

P.S. Still getting gigs at the Sahara?
 
Originally posted by Tim Cole


We've done board recordings in the past, and most of the time, the vocals, and sometimes other instruments record too hot, and are very distorted. Is there any sure fire fix for this?
We found the same thing.

So we sacrificed one of the auxilary sends on the desk. Instead of running 4 foldback sends, we ran 3. The 4th auxilary was assigned to the MD player. So we could effectively send the MD player a mix that was completely independant of the FOH mix.

It took us a couple of gigs to get it right. But once all the levels were sorted, POW!
 
For digital transfer to the pc I bought a (scarcely) used quality MD deck for cheap (internet rules :) ). If you decide to buy a deck, make sure to get a model with optical and/or coax digital out, not every deck is equiped with one of these!

If you don't want to loose a single bit of sound quality, double check the digital inputs on your Soundblaster. Most Soundblaster cards are known to resample the original input, thus altering the sound (hardly audible for us mere mortals, but it DOES loose information).

For live recordings you need powered mics (plug-in power from your minidisc unit is too low voltage for loud music, causing nasty distortion - you need a battery box for live recording).

Nice online sources of information are:
  • Invalid Link Removed - I found valuable information in their resident message boards back when I started using MD (there have been some problems with the message boards - don't know if they are online again)
  • www.soundprofessionals.com for microphones and batteryboxes
  • Invalid Link Removed - Yahoo discussion group Mic DIYERS, these guys know about microphones and recording! Very helpful and friendly people.
  • Do a google search for "Datheads", "micdiyers", you'll find tons of useful information on live recording
 
Thanks for pointing that out. My setup does easily distort, I thought this was common.

At least some Sony models (Tim is using a Sony), are known to give a lower voltage plugin power, and are therefore very easily overdriven. Microphones are also very different - apparently yours perform fine on just a few volts, others need about 9-10v to operate properly even at moderate sound levels. Your combination of recorder and microphones may perform very well even for loud music, but it is common for other setups to be overdriven into distortion at far lower volume.
 
Finally remembered to bring the MD along with me to a gig this week, I am quite pleased with the results. I ran from the tape out on the board, directly to the MD, I think it sounds pretty good! Here is a quick snippet....let me know what you guys think, please. (PS, I had to kinda crush the quality quite a bit to get it to TB acceptable sizes, but still think it sounds good).
 
hmmm...ok, i'm lost...my wife just got me one of those minidisc recorder things....sony type...it's blue...the model number is mz-nf610...i'm wondering if i can record rehearsals with this thing...use an adapter and plug a mic into it? use an output from the board to go into it? does this thing even record? just curious...i have absolutely NO clue...my tuner even confuses me...thanks...now, if i can get my wife to post this message for me, i'll be set...
 
I find the best results are right from the tape out on the board. You can use a mic, but it always ends up sounding like someone set a boombox in the middle of the room to record it. Some of my results, which came out pretty good are at my site..... Link Removed let me know what you think, if you've got a minute.