Hey guys!
My name is Ian Allison and it looks like I'll be presenting on the 13th at Dave's. I'm excited - and very flattered to be asked. Thanks so much to Dwayne (IotaNet) for the invitation.
I guess I just wanted to introduce myself, talk about what I'm going to be presenting, and put it out there that if you guys have any feedback for me - about what I may want to include in the clinic, etc, I'm all ears.
I've been living and playing in Minneapolis, MN now for about 9 years. I do session work at several studios, play in a host of different projects that cover jazz, gospel, metal, and pop, and write jingles for two different music advertising agencies. Currently, I'm the chair of the bass department at a small private college in Minneapolis called North Central University (NCU). I've developed and am constantly revising a curriculum for my students that focuses on applied theory, timekeeping, stylistic breadth, reading, and ear training.
Most recently I've been doing some freelance work for Lakland Basses - recording all of their instruments over multiple genres of music for their website. I also will be shooting a video for Lakland that will demonstrate their new pickup/preamp combo and compare it against the older Bart system and against a vintage Jazz bass, a vintage P bass, and a Stingray. This is going to happen in two weeks so I'll have a full report for everyone at Dave's!
For the presentation, I have several ideas that I wanted to run by everyone that plans to attend. I believe that all great playing is founded on some very basic elements of time and theory. With this in mind, I'd like to talk about my concept of grooving - which involves a discussion/demonstration of keeping a sense of a solid pulse through anything that you play, with whatever technique you use – drummer or no drummer! Stemming from this, I’d talk about ways to construct and execute the concept of “backbeat” in your grooves.
Also, I’d like to discuss practicing theory – modes, arpeggios, etc. in a musical way and offer some ideas on how to combine the groove aspect with theoretical aspect of practicing and playing. Additionally, I would like to talk about doing session work, what’s expected of you as a session bassist, and how my experiences led me to the project I’m doing for Lakland.
So there you go guys! Let me know how this sounds to you and please feel free to make comments/suggestions about how we can make this a fun and successful get-together.
I can’t wait.
Thanks so much,
Ian Allison