I wouldn't say that, because you don't need modes to construct chords.Just don't make everyone lose their mind by telling them that if you learn modes, you also learn how to construct chords.
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I wouldn't say that, because you don't need modes to construct chords.Just don't make everyone lose their mind by telling them that if you learn modes, you also learn how to construct chords.
Sure. But it helped me a lot.I wouldn't say that, because you don't need modes to construct chords.![]()
Whatever works, but I think there are more efficient and useful ways.Sure. But it helped me a lot.
Whatever works!Whatever works, but I think there are more efficient and useful ways.
That said, there is some real value in offering learners the most effective and efficient tool at your disposal. If you want to count the number of horses in a paddock, for example, you could get the right answer by counting all the legs and dividing by 4, but it would be more efficient to count the heads.Whatever works!
That said, there is some real value in offering learners the most effective and efficient tool at your disposal. If you want to count the number of horses in a paddock, for example, you could get the right answer by counting all the legs and dividing by 4, but it would be more efficient to count the heads.![]()
Nice convenient list. One point, though: Some of the dim7 chords are technically misspelled. For instance, Cdim7 is technically C Eb Gb Bbb, and Fdim7 is F Ab Cb Ebb. (See also Gdim7, Ddim7, and Bbdim7.)
I know lots of folks don't like seeing Fb and Cb, and scarcely anyone ever wants to see a double flat, let alone write one, but these things do exist. Showing the correct (if tiresome) spellings would clarify the way in which the chords are derived. Maybe the more convenient enharmonic spelling(s) could be added in parentheses after the clunky correct ones.
I found learning modes neither complicated nor inefficient.
Again, as you said, whatever works.
Modes worked great for me.