What brand are the cabinets you plan on mixing? Are they of the same brand or different?
One of my best sounding rigs was an Avatar 212 and 210.
One of my best sounding rigs was an Avatar 212 and 210.
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Pretty much sums it up. You can do it, but it may or may not work out well. In my (very) humble opinion, you probably increase the likelihood of a good outcome if you stick with cabs from the same manufacturer. I used to run SWR 4x10 and 1x18 (bi-amped & full-range) with okay results. I currently have 4 Accugroove cabs: 2 Tri-110's and 2 Tri-112's. The Tri-110's stacked vertically is a killer mini-rig; a Tri-110 stacked on its side above a Tri-112 sounds amazing!You can do whatever you want, but nobody can guarantee you'll like the outcome. The most basic reason for "no mixed cabs" is if you like cab A but want it to be louder then buy an identical cab and pair them up. If you buy cab B nobody can say for sure what impact it will have.
I cant seem to get a straight answer. i have a 2x10 and want to add a 2nd cab do i add another 2x10 or 1 x 15? My band mates are all 10 inch speaker fans but i read so much of 15inch.
Trace Elliott is owned by Peavey now, along with Buddha amps.Look, Ma! It's another "don't mix your cab speaker sizes" thread!
In the 80s and 90s, everyone was playing through 1x15" and 4x10" cabs together. Something happened, and it all changed. I think that technology has shown musicians that there are a lot of great speaker combinations that produce better sound than we've ever experienced. This does NOT mean that 115 + 410 = poop.
Doug Wimbish is the best example I can think of; he STILL uses the 115 + 410 cabs combo. If that combination was tantamount to sonic disaster, I'm sure the good folks at Trace-Elliott (or whatever company swallowed the company that bought them) would advise Dougie to go in a different direction.
In conclusion, you could totally go 115, or more 10s, or sell what you have and buy 12s or 18s. Your best bet is to go to a music store and play through different cabs. See what does it for you. I would trust your ears vs. the opinions of a bunch of armchair sound experts online.
Trace Elliott is owned by Peavey now, along with Buddha amps.
Just as a real life data point that sort of flies in the face of what I would say is generally good advice about mixing cab sizes being potentially risky, I offer the current success being experienced around the globe by happy Mesa Subway 112 and 115 users. Of course it is worth noting that these cabs were specifically designed to be mixed or matched, but regardless it proves that not all mixing produces a final result that is less than the sum of the constituent parts.Over the years I've been equally shocked/surprised by many of the the combinations that have worked well and some that haven't. If you have the time, money and/or opportunity it's always fun to experiment.
While there are probably a few guidelines that can maximize your chances for success, at the end of the day if you're mixing and matching stuff that wasn't specifically designed to work together, it will be a bit of a gamble, a definite learning experience and possibly a good time.
As an engineer (who has coincidentally played with both mixed and matching cabs over the last 40 years) my advice is to forget the math/science/physics/"rules" and go with what sounds good to you, your band mates and the audience/sound person. People will be listening to the music with their ears, not with their scientific acumen. Good luck!
I'm trying to stagger my votes so this week I'm saying mix drivers and get the 115 next week I'll definitely be against it.