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Modulus Q6 / Dingwall Afterburner II

Better 6er


  • Total voters
    58
  • Poll closed .
Interesting, Sheldon! I expect you've played with different pickup/electronics setups on both--is it clear how much of that extra "range, depth and complexity" on the AB-II is due to the electronics, and how much (if any) is due to the woods?

Mike
 
I know that's what he meant but Canada and Mexico are US neighbors. You guys doing well is good for us. A person has to be kind of narrow visioned not to see that. If I could afford it, I would help Canada's economy by getting an F Bass or two. I've already helped out Mexico with a few MIM's over the years. :D

Now that I think of it, the guy should get an F Bass 6. :bassist:
 
I never said there was anything wrong with a bass made in Canada. In fact I'd much rather a bass made in Canada than one from Korea, China, or Indonesia. I just said that it was a plus "for me". I prefer to support U.S. based businesses and workers whenever possible. Nothing narrow minded about it.

In conclusion I will say this. Listening to the BassTasters clips I VASTLY prefer the sound of the Dingwall. But DiG didn't mention the Flea bass. So it's not really an A\B Comparison.
 
mbulmer said:
I never said there was anything wrong with a bass made in Canada. In fact I'd much rather a bass made in Canada than one from Korea, China, or Indonesia. I just said that it was a plus "for me". I prefer to support U.S. based businesses and workers whenever possible. Nothing narrow minded about it.

But there IS something wrong with basses made in Canada. When I play one I have this inexplicable urge to pronounce the word 'out' like 'oat'.

:D
:rolleyes:
 
mikezimmerman said:
Interesting, Sheldon! I expect you've played with different pickup/electronics setups on both--is it clear how much of that extra "range, depth and complexity" on the AB-II is due to the electronics, and how much (if any) is due to the woods?

Mike

Hi Mike,

It's the woods. The comparison was passive to passive. Same pickups and hardware.

The extra range I attribute to the Walnut body. The depth and complexity comes at least in part from the bubinga.
 
They are both great basses. It really comes down to whether or not you dig the sound and feel of graphite.

--- The fanned frets will ONLY be a positive, I have yet to hear one person express anything negative once they've actually played on them.

--- Graphite necks are tough as nails, live and pure, that's a plus for sure. Keep in mind your comparing it to a bass with top notch construction and design, your not going to find any "dead spots" on the ABII.

You mentioned you like a "Geddy-like" mid range. My advise would be to get your hands on a Modulus and try it. IME, getting a defined, driving mid range can be tricky bacause the higher mids seem to creep-in very easily making things sound less "beefy" and a little to "thin", but you've got to try it for yourself and see what your ears tell you.
Anybody know why none of the 'Taster's samples had any low B in them? :rollno:
 
Juneau said:
Cause the riff is arranged for 4 string for comparison sake hehe. I agree though, the B is going to be one of the biggest determining factors in a 5+.
Then this guy needs to play some different riffs!! Why in the world would someone take the time and energy to give sound samples of a bass and not use ALL the strings?? As so much discussion takes place re. the quality of a bass' low B it seems pointless to supply samples of any bass without it. Am I wrong here?
 
lowphatbass said:
Then this guy needs to play some different riffs!! Why in the world would someone take the time and energy to give sound samples of a bass and not use ALL the strings?? As so much discussion takes place re. the quality of a bass' low B it seems pointless to supply samples of any bass without it. Am I wrong here?

He plays the same riffs so that you can get a meaningful comparison by hearing all the basses playing the same identical thing, through the same identical rig with the same identical settings.

Mike