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More than one P? J? Ray? Other?

I have more than one ...

  • Split coil P bass

    Votes: 98 44.1%
  • Single coil P bass

    Votes: 11 5.0%
  • PJ bass

    Votes: 48 21.6%
  • J bass

    Votes: 108 48.6%
  • 'Ray bass

    Votes: 51 23.0%
  • Ric bass

    Votes: 8 3.6%
  • Other (specify in reply)

    Votes: 40 18.0%
  • Carrots - No dupes at all

    Votes: 28 12.6%

  • Total voters
    222
Do you have more than one copy of a particular type of bass? Vote, then post a reply to give details to help us understand your crazy reasons for duplication :-)
The crazy reason of having a "backup" or second bass with the same tones as the main bass... if you ever needed it, instead of a bass going down and ending the gig for everyone. That kind of crazy?
 
The only reason I could see for a straight up duplication is to have a spare. However, IME even supposedly identical basses can sound and feel considerably different.

Other than that, buy whatever suits you. If you want a 120 P-basses and can afford it, then buy 120 P-basses. I don't have any duplication in my bass collection. 9 Instruments total. So buying 120 P-bases makes absolutely no sense to me, but YMMV.

I have some duplication in my amp collection but it was mostly unintended. I have more than one GK 2000RB because the first one turned out to be a lemon; despite appearing near mint. I bought a second to cannibalize, but it was almost 100% functional so I did a minor repair and kept it. Wound up buying a third 200RB to get the first one running.

I also own two Sadowksy SA200s. I actually won the second amp off Ebay when it was first listed. The seller refused to ship and then relisted the amp with a higher price. I believe the seller did this multiple times over a couple of years, and eventually everyone stopped bidding.

I wound up buying another SA200, and one day I saw the seller put a buy-it-now price on the first amp. I bought it more out of spite than anything else and actually expected the seller to cancel again. To my surprise the amp arrived at my door. Both amps were running all of the original tube type, including the TAD EL34Bs. I recently converted one of the amps over to JJ KT88s. The amps still sound almost identical.

An intended duplication of sorts. I have Ampeg SVTs from 1969 and 1987. I got the 69 because I was curious how the original 6146-based amps sounded. AFAIK Ampeg converted the SVT to 6550 sometime in 1970. Both amps sound like SVTS, but IMHO they do sound a bit different. The 87 sounds exactly like I would expect an SVT to sound. The 69 sounds a bit bigger and has more clean headroom.

Near duplication. I have a Trace Elliot V-Type head, same as later V4. I also have a V6. Both of these amps use the same circuit cards. The V6 cards have extra components for the grid networks of two additional output tubes. The transformers are visually identical, but I believe the specs are tailored to each amp. The V6 is considerably louder and has a bigger low end. Part of the difference in tone is because each amp has a different model tube in V2. The V6 came with a Preferred Series 7025. The V-Type was running a full set of Trace Elliot-labeled 12AX7s. I rolled tubes and settled on a Gold Lion ECC83 B759, which changed the mids and low end a bit.
 
I've told this tale before, so here goes;

Evening gig, downtown park, nice big stage, I'm bassie in a slamming reggae band circa 23 years ago. Midway through a song, I break a string. Hit the tuner pedal, unplug, case the bass, reach in back section of same double gig bag, take out same model I was just playing, all tuned up and ready to go, plug in, hit the tuner, and finish the song. And the set.

So there's that.

But mostly, I'm not a guy in search of different bass tones, types, feel, or anything else. For what I do on bass these days-virtually all recording-these guys serve my needs.

I used to make periodic trips from here in Wisconsin to Las Vegas for festivals. Having these two headless basses in that double guitar bag-hey they're headless-was just ideal for flights.

But they're good regardless.
 
I like different strings so I have two Ps with rounds, one is Rosewood fretless, and one Rosewood P with flats. Three Jazz, 60s spacing Rosewood, 70s spacing Maple, Ebonal fretless. Two Fivers, Ebony Jazz type and Roasted Maple fan fret Modern. But haven't strung up the second one yet with different strings. Maybe lite rounds or flats on that second one 🤔
 
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Having three Rics wasn’t intentional. My first bass was a ‘78 4001 that I bought in 1980, and it was stolen in ‘89. I played mostly Fenders for years after that, a ‘72 Tele Bass and then an ‘82 Vintage ‘57 Precision, but always kept my eyes open for my white 4001 to turn up somewhere. One day in 2015 I was looking through eBay again hoping to spot my old 4001 when I saw a new 4003 Fireglo with a gorgeous fretboard, and it turned out it was at a shop not far from me. Via email I tried to make a trade for my ‘72 Tele, which I hadn’t played for about a decade at that point, but the numbers didn’t work out for them. I went down to check out the Ric anyway, and my credit card somehow flew out of my wallet and I went home with it. Then, not a week later, I was lazily looking through Craigslist when I spotted an ad from someone looking to trade a Ric 4003 for a Tele Bass. What were the chances? Met up with the guy, we liked each other’s instruments, and that’s how I ended up with my ‘83–two Rics within a week. Then at some point early in the Covid pandemic I decided I needed a fretless for the jazz band I play in. It took a few months of searching to turn up a decent one, a ‘92 4003, and that’s the bass I play 95% of the time now. So, why do I still have three Rics/what are the differences? The answer with the fretless is obvious. As for the other two, the ‘15 is more aggressive sounding, the ‘83 is more polite. But the action on the ‘83 is unbelievable; I could lower the strings right down to the frets if I wanted to, and since it still has the hairpin-style truss rods, the neck is super stable and I’ve not needed to adjust it since I got it. The only mods were to add the push/pull cap bypass circuit and straplock buttons from modern Rics, and to get the dead neck pickup rewound by Tom Brantley. I’ve sometimes run the mental exercise of which of the two fretted Rics I’d sell if I had to, but have never made a definitive decision. I happen to be one of those people for whom a Ric is far more comfortable than a Fender, so there is little motivation. I’ve hardly touched my Precision since 2015 (and haven’t missed the Tele Bass at all), and in fact on the few occasions in the past several years that I wasn’t playing a Ric, I went for one of my more oddball basses (such as a ‘64 Ampeg/Burns Vista Sonic, ‘70 Dan Armstrong/Ampeg See Through, or ‘87 Guild Ashbory).
 
Now everybody knows you have to have a maple and rosewood necked bass for each type model series. I'm embarrassed to say I ended up with 3 Vintage II J bass. The first cause it was the most perfect bass I ever played. The second, cause I wanted one that I could take out (beat up) and leave the first one as pristine. The 3rd cause one nite about 2am some guy posted one for a ridiculously low price, with a PLEK job in MINT condition.... I jumped on that one so quick I about broke a finger jamming down on the BUY button. It was also the 1st J-bass I ever had with Ti FLATs (all J-bass should be rounds - everybody knows that too). It's fantastic..... plus now I have all 3 colors. Oddly I play all 3 regularly and view them as different
 
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I'm down to 3 P's (split coils) and 2 J's. I always take 2 P's when playing out, both with rounds; 1 in standard tuning with a Hipshot Xtender and the other in Eb standard. And, of course, I've got a P with flats. One of my J's is totally stock while the other has been modified with Aguilar AG 4SD-D1 Super Double bass pickups wired with a Parallel/Series switch.

Oh, wait, I forgot. Last year I purchased a Lakland Skyline DJ5. So, I've got 3 of each . . .


Edited to add another bass to the count.
 
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I have 3 F bass BN5s. It's my daily driver and go to tone. When my first F bass had some electronics issue I went back to my music man sterling 5 and it wasn't fun. The tone and feel was somewhat night and day. I bought a backup the next week. I also have a fretless BN5 as well.

My other duplicates are two P basses with jazz necks. The P's and F's are the backbone of my sound. Gotta have backups!!
 
Only one P, which is actually a PJ.

No exact duplicate basses but some multiples of pickup styles.

Two Js, one fretted and one fretless. Fretted is passive and fretless is active/passive.
Two Rays, one short scale (passive) and one full-scale 3-band
Multiple HH-style basses, but very different “H” pickups: one with vanilla humbuckers, one with MFDs (fretless), one with Turner multicoils, one with Fishman Fluances, one with split-style soapbars. All sound pretty different.

If I were to get another P it’d probably be a reverse P (with a J) with active EMGs, Spector-style. I’d also go for another Ray, but fretless.

Used 5 different basses on my most recent track (all done recording and working on mixing now) so they all see play.
 
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Depends a bit on what you mean because I have a couple a basses that have JJ configuration but are nothing like a classic Jazz bass - a Bogart Blackstone and a Status Series 1, on top of my ~standard Fender Jazz (MIJ, refinished)

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Two p-killers: G&L USA LB-100 + Yamaha MIT BB450. Not counting the BB450 as a PJ because I replaced the neck pickup with one from a Fender Am Pro and that sounds so good I never use the j-pickup. Very different character, the G&L empress body and Yamaha alder body yield different tones. My excuse is, the Yamaha is an alternate, especially for shady venues.