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As chance would have it, I was at a jazz bar this past Saturday and witnessed a bass player with an old Stingray (single pup with the bridge mutes). Damn right I'd be takin' a Stingray to a jazz gig! It sounded (rather "he" sounded) simply amazing. Tone like an upright through a Mesa Walkabout Scout. Very traditional sounding. Just shows you how wrong it is to stereotype.
What he said!A EBMM Big Al would probably hit the spot.
Fender Roscoe Beck 5, does every fender sound you could want in one bass.
G&L's all the way.
There's a LOT of sonic territory in those 2000's and 2500's. I do not believe there's anything in that price range that delivers anywhere near the available palette of sounds.
5 string passive Jazz bass.
Only bass I've ever heard that does everything.
Knowing what a bass/rig can do, can do well, and can't do can be worth a lot, but that's most understanding on the musician's part.
Looks aside, most basses can handle most types of music. There are far less exceptions of a bass that won't work, given reasonable EQ and know how.
+1. This kind of thread isn't all that much use,IMO.
To me they always seem to end up with posters just recommending their favorite bass that they either own or have owned. Hardly impartial.
If you were playing in a band that played covers in all genres and could only play one bass, what would it be?
Knowing what a bass/rig can do, can do well, and can't do can be worth a lot, but that's most understanding on the musician's part.
Looks aside, most basses can handle most types of music. There are far less exceptions of a bass that won't work, given reasonable EQ and know how.
+1. This kind of thread isn't all that much use,IMO.
To me they always seem to end up with posters just recommending their favorite bass that they either own or have owned. Hardly impartial.