First of all I purchased this bass doubting it would be a keeper mostly based on the two reviews I read. A review is merely a personal opinion. Nowhere in either review did it find fault with the build quality or it’s playability. The main negative from both reviews was a low output. Here what I found out today about the LK5.
The LK5 arrived today and immediately hooked it up when I got home. I found there was plenty of signal in both modes with the active setting producing a more full sound. I will still opt to purchase the replacement/upgrade Bartolini preamp and pickups because I like their products and there should be a major improvement in the tone adjustments.
Here are positives and negatives.
Positives:
1) finish is beautiful and rich looking.
2) neck finish was awesome and the neck felt great.
3) the actions extremely low with zero fret buzz.
4) very light weight and balance is near perfect.
5) the 32” scale is a great fit and the neck is fast.
6) the B string sounds pretty good for a short scale bass.
Negatives:
1) The tone adjustments on both active & passive aren’t great. I believe the upcoming Bartolini components will improve that greatly.
Bottom line: This bass is a keeper!View attachment 5243350View attachment 5243351
Hi Pep, I agree with you on every count! I think my initial review above regarding the low output was tempered by those other reviews I read as well. Plus, the two basses I had been playing most recently are a G&L SB-2 and a Ernie Ball Music Man Sterling 5HH, both of which have higher than average output. When I compared it against my 3rd bass an Akai Project 1997 jazz style bass, it was comparable if not hotter.
I am extremely impressed with this bass and I might want to look for more 32" scale basses in the future. I wrote this in another forum:
I played my medium (32") scale 5 string for the second Sunday in a row, and boy has it really grown on me! I'm not a short guy, I'm 6ft tall but I still appreciate the improved ergonomics. Also, contrary to everything I was expecting, this has one of my favorite B-strings of all the 5 strings I've ever owned. See the list below... It really reinforces in my mind that neck stiffness is a huge contributor to a solid B string.
Maruszczyk Elwood L5 (JM), Sandberg VM5, G&L JB-5, Peavey USA Cirrus, Waterstone Passive PJ 5-Sring, MTD Kingston Saratoga 5, ESP LTD AP-204 modified to Passive BEAD, Cort Arona 5, Peavey Axcelerator 5, ESP LTD Elite Series J5, LTD Surveyor 405, Steinberger spirit XZ-5, G&L L2500 Tribute, Ibanez SR505, Peavey Millennium 5+, Akai Project 1997 SB511, Ernie Ball Music Man Sterling 5HH, G&L Tribute SB-2T Modified to BEAD
Maruszczyk Elwood L5 (JM), Sandberg VM5, G&L JB-5, Peavey USA Cirrus, Waterstone Passive PJ 5-Sring, MTD Kingston Saratoga 5, ESP LTD AP-204 modified to Passive BEAD, Cort Arona 5, Peavey Axcelerator 5, ESP LTD Elite Series J5, LTD Surveyor 405, Steinberger spirit XZ-5, G&L L2500 Tribute, Ibanez SR505, Peavey Millennium 5+, Akai Project 1997 SB511, Ernie Ball Music Man Sterling 5HH, G&L Tribute SB-2T Modified to BEAD