I believe the Bluesbreaker and Tubescreamer use very similar clipping components, but with the control topology and tone circuits arranged in the circuit in a much different way. Usually the outcome of this is that the Tubescreamer is comparably mid-heavy, compressed, and a bit higher in gain while the Bluesbreaker is known for being more dynamic, clear, and with more lower gain range. In the Xotic BB circuit, they still have the Tubescreamer tone circuit but have it hard-wired turned almost all the way down resulting in a darker/thicker tone than most would think of as TS, then you have active EQ that can make it brighter but without raising up the midrange that usually screams TS. Then the Bass BB has a number of component-value changes that make the circuit more bass-friendly and taking it even farther away from a typical Tubescreamer variant (but still using the basic clipping topology of a Tubescreamer)
The word Tubescreamer equals a mids heavy and compressed sound in my book - and that is something I don't like a lot. The introduction of a two band EQ alone lets you get around that mids bump.
Could it be that Xotic started off with a TS circuit and then tweaked, tweaked some more, changed bits and bops, put an active two band in there, tweaked once again, changed out more stuff and finally realized they wound up with something that A) makes them happy and B) Sounds and feels a lot closer to the BB than it does to the TS ?
I'd like to know how other BB derived pedals fare on bass. Interestingly, both the Xotic and the Wampler have that two band EQ, while the Analogman King of Tone and all the Marshalls (the original Blues Breaker, the BB-2 and the BB reissue) only have a single tone knob.
