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My first bass resurrected (including back-story)

JIO

Scott Lives
Gold Supporting Member
Commercial User
Jun 30, 2010
49,591
221,980
The Mission SF/CA
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Disclosures
musician/artist/owner - Gildaxe
Ok then... a warm hello to all my fellow Luthiers Corner peeps! it's been a while since Ive had a project to post, but I now have one, so get ready for a full start-to-finish expose as only Geo does - starting with some back-story...

I have no photo's of the first bass (or me playing it) I bought in 1966 as a 13yr old. (!) These were the days before easily accessible "instant" camera's. They were around - but not broadly. My dad was an 8mm movie-buff, but just not so much a 'still-photographer'.

Anyway, my 1st bass was a Japanese (long-scale*) that I bought from a Woolworths Dept store just outside of Omaha Nebraska (near SAC Headquarters Base). I wanted 'in' to the music scene that was happening then but was clueless as to how to enter. My family was not musically inclined - my aunt played 'home' organ, mostly religious themes.

I was in that Woolworths Dept Store with friends and there were guitars hanging on the wall behind the counter. I studied them all and determined the larger one with 4 strings was what I wanted. I was tall for my age (6') and thought... it's bigger, it has only 4 strings - I think I could play that. (!) Destiny called, and I answered! :)

So I put down $20 of my hard earned paper-route money as a 'down-payment' and my dad later paid the other $20. (that's $372.64 in todays money) Cut to the chase - I'm pretty sure it was the same model as the bass I just bought.

(these are the sellers pics) - an unbranded, stripped finish but otherwise all original parts mid-late '60s long-scale Japanese bass. It was badged with various names but since this one has no holes in the hs face... I'll guess it was a "Tempo", which had a decal and some a metal badge.

It arrived today - I'll post more as it develops. Lot's to go over.

*not common for a '60s Japanese bass (to be long-scale) - most were short-scale. Only a few 34" scale Japanese basses were made in the later '60s period.

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So what became of your original?

Good question! (a continuation of the back-story) When I bought it, it came w/o a HSC or gig-bag (I didn't even know what a gig-bag was then!) and I didn't have an amp. I would rest the body against a door and it would resonate louder so I could hear it. (sounds funny.., but it is true!) I then plugged it into an old record-player console that my family moved to the "rec-room" where I inhabited. It became 'electric' at that point, but I ended up blowing the small speaker, resulting in "fuzz" bass. :)

Months later, my dad bought me a Heathkit amp. This was a company that sold 'assemble it yourself' kits. My father was good with his hands and a natural "do-it-yourselfer"- so he and I soldered it together. Ever time I solder things today, the smell takes me back to that introductory session. It was a solid state 'combo' amp with 2-15" speakers. I don't remember it sounding good - but it was loud. I used it in my High School 'combo' playing "sock-hops" and weddings/private parties. (we had a booking agent)

My father (for my b-day) built a HSC for it of 3/4" plywood with burgundy velvet padded interior and fake-woodgrain vinyl 'contact-paper' on the exterior. It was a very nice gesture, but it weighed a TON! I carried it a few miles to my 1st lessons, stopping often to rest my hands along the way. I'll guess it weighed 20lbs (with the bass inside). I only took a few lessons then - I'm mostly self taught.

So getting to your question... I had a friend that we did a lot together with then and he too wanted to get into the music scene. I sold him the bass with the heavy HSC (for very little - no recollection of how much) and bought a used VOX Cougar hollow-body bass. Who knows if he ever did anything with it - it was a thing then.
 
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Well packaged - arrived in perfect condition.

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Good box - this is how it's done...
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Note mismatched and missing screws.. obviously a 'hack' do-it-yourself re-fin.
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Didn't bother to remove all the original finish...
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? ... not sure how to resolve this...
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Neck will need work, but is not as bad as it could have been...
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Truss-rod is working -
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Possibly original round-wound strings - or at least very old strings...
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Was it your “very first bass”… anyone remember Mr Lee’s epic thread?

But seriously, cool.

Not this exact bass, but as far as I can remember - yes.., this is most likely the same (model) bass that I first was introduced to. (sorry, I don't know about Mr Lee's epic thread) I am a dyed-in-the-wool bass player, never played any other instrument.. and this is the bass that started my journey. Once I'm done with it - it will be seriously cool. :cool:
 
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Upon receiving it, I assembled it with some decent D'Addario strings and plugged it in. Electronics were sketch and I could tell right-off I'd need to do a lot of work on the neck/frets/action. But hey.., this thing is old. (over 60yrs old!) I've fixed worst into players - trust me.
 
To begin with... the V/T pots appear to be original "VIOLET" - but.., no capacitor in sight. :cautious: I would have to believe there was one originally - but once again, the (clueless) DIY bug strikes again. Not surprising that the electronics were 'sketch'. I will add a cap and do full shielding in the cavities once the body is re-finished.

ASIDE; dealing with fine-tuning an un-molested vintage bass is one thing...but dealing with one that has already been molested is a challenge. I'm once again up for the challenge -

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Ok then... a warm hello to all my fellow Luthiers Corner peeps! it's been a while since Ive had a project to post, but I now have one, so get ready for a full start-to-finish expose as only Geo does - starting with some back-story...

I have no photo's of the first bass (or me playing it) I bought in 1966 as a 13yr old. (!) These were the days before easily accessible "instant" camera's. They were around - but not broadly. My dad was an 8mm movie-buff, but just not so much a 'still-photographer'.

Anyway, my 1st bass was a Japanese (long-scale*) that I bought from a Woolworths Dept store just outside of Omaha Nebraska (near SAC Headquarters Base). I wanted 'in' to the music scene that was happening then but was clueless as to how to enter. My family was not musically inclined - my aunt played 'home' organ, mostly religious themes.

I was in that Woolworths Dept Store with friends and there were guitars hanging on the wall behind the counter. I studied them all and determined the larger one with 4 strings was what I wanted. I was tall for my age (6') and thought... it's bigger, it has only 4 strings - I think I could play that. (!) Destiny called, and I answered! :)

So I put down $20 of my hard earned paper-route money as a 'down-payment' and my dad later paid the other $20. (that's $372.64 in todays money) Cut to the chase - I'm pretty sure it was the same model as the bass I just bought.

(these are the sellers pics) - an unbranded, stripped finish but otherwise all original parts mid-late '60s long-scale Japanese bass. It was badged with various names but since this one has no holes in the hs face... I'll guess it was a "Tempo", which had a decal and some a metal badge.

It arrived today - I'll post more as it develops. Lot's to go over.

*not common for a '60s Japanese bass (to be long-scale) - most were short-scale. Only a few 34" scale Japanese basses were made in the later '60s period.

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Can’t wait to see what you do to it Geo. Any chance it will be done by August?
 
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Crude but works and has a strong output.

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Two chunks of magnets glued on the back - were glued - they both come off when removing the pu from the cavity. Foam in the cavity is dust now.
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Always funkiness with a past DIY... original strap button nailed in...
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...just couldn't find that darn screw...
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Remnants of the original red black-burst finish. Clear-coat (varnish?) has been on it for awhile judging by how it has darkened.
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Plate was probably put on before the clear-coat fully cured so it stuck to the finish. Easily popped off.
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Same with the 10 screw (!) bridge plate. 10 screws to secure a bridge has to be a record. It ain't goin' nowhere!
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More funky-ness - G tuner is slightly bent (should be able to straighten it) and tuner was secured with two oversized slotted screws and two brads...
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Before :
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After - I start by removing the clear-coat with a flat-blade, and then sand it with 60 to 150 grit.
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No holes so it must have had the Tempo decal. Truss-rod works luckily - the neck will need some work.
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Top is in good shape.
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Surfaces have a few small dings, but not too bad. The core is made up of 4 pieces of luan mahogany.
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I'm going to have it finished by Pat Wilkins/SoCal in this soft brown-burst. This bass mostly came in the red black-burst (as mine did) but this rarer brown version appeals to me.
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It reminds me of my '64 T-bird II - except not as dark tobacco halo.
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Back will be finished like this (but browns).
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One observation about the pickup. My first bass was similar to this one, only short-scale, and I have had several similar (log-scale P knockoffs) since. I do not believe those magnets in the pickup were ever glued down; they were held in place by adherence to the metal "core" with the pole-pieces inside it. But the pic does strongly suggest that, cover aside, this is the same pickup as the gold-foil pickup which the earlier basses had.

Also, stringing may prove quite an adventure. The tuners of most of these basses did not have pilot holes to anchor the strings, and the capstans are so short that any thoughts of getting more than two wraps around them should be abandoned.
 
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