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My first bass resurrected (including back-story)

? ... not sure how to resolve this...
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Triangular inlay? Something pyramid themed? Hazard triangle of choice? Or plane it off and glue on a veneer...Or a big semicircular inlay.

I still own my first bass, but it's only 10 years in my care, and I waffle between letting it be (Factory mist purple with a few major dents/scars as purchased) or going to the effort of stripping it only to find paint-grade alder. Since I mostly play the bass I don't own, it's not that urgent, though.

I did sell my first trombone down the river, though. No regrets - it was a crummy student model, and the Blessing is not.
 
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One observation about the pickup. My first bass was similar to this one, only short-scale, and I have had several similar (log-scale P knockoffs) since. I do not believe those magnets in the pickup were ever glued down; they were held in place by adherence to the metal "core" with the pole-pieces inside it. But the pic does strongly suggest that, cover aside, this is the same pickup as the gold-foil pickup which the earlier basses had.

Also, stringing may prove quite an adventure. The tuners of most of these basses did not have pilot holes to anchor the strings, and the capstans are so short that any thoughts of getting more than two wraps around them should be abandoned.

Yes, I've already encountered that. Two wraps for the E & A for sure - possibly 3 on D & G. I used the over & under wind to make sure it stays put.
 
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Triangular inlay? Something pyramid themed? Hazard triangle of choice? Or plane it off and glue on a veneer...Or a big semicircular inlay.

I still own my first bass, but it's only 10 years in my care, and I waffle between letting it be (Factory mist purple with a few major dents/scars as purchased) or going to the effort of stripping it only to find paint-grade alder. Since I mostly play the bass I don't own, it's not that urgent, though.

I did sell my first trombone down the river, though. No regrets - it was a crummy student model, and the Blessing is not.

I was thinking along the lines but I'll probably just plane it off from the neck platform up.
 
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One observation about the pickup. My first bass was similar to this one, only short-scale, and I have had several similar (log-scale P knockoffs) since. I do not believe those magnets in the pickup were ever glued down; they were held in place by adherence to the metal "core" with the pole-pieces inside it. But the pic does strongly suggest that, cover aside, this is the same pickup as the gold-foil pickup which the earlier basses had.

Also, stringing may prove quite an adventure. The tuners of most of these basses did not have pilot holes to anchor the strings, and the capstans are so short that any thoughts of getting more than two wraps around them should be abandoned.

Maybe originally, but someone glued them at one point. I went by that logic as the way they were glued is opposite polarity. Also, to make sure each magnet is equally under the 2 poles - gluing isn't a bad idea. I used super-glue, but it could easily be removed if need be.
 
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Man, I remember that era. Arlan's department store for me, plus the Sears catalog. I was mostly interested in the guitars then. I figured the ones with 4 pickups must be the best. :)

Look forward to seeing your treatment of this.

Yep, I remember seeing the Silvertone guitar/amp case at Sears and thought it was so cool! The '60s R&R era was all about selling guitars/basses etc to young people and the Japanese did it like nobodies business!

The major brands had 3 pu's - so we'll do 4!

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That's awesome. I just found out my original bass started gigging again in the hands of my oldest friend's son who is a freshman in college. Good to hear the old MIJ Jazz is back in action.

This is the thing about musical instruments - they are less "owned" than leased, to be part of the bigger continuum when we part with them.
 
Yep, I remember seeing the Silvertone guitar/amp case at Sears and thought it was so cool! The '60s R&R era was all about selling guitars/basses etc to young people and the Japanese did it like nobodies business!

The major brands had 3 pu's - so we'll do 4!

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Rocker switches, slide switches, and wafer control knobs. I mean, how much more cool can you get? If only back then we had known about truss rods, set up, and intonation. Most of us just assumed the instrument as we got it from the store was set up like it was supposed to be.
 
Rocker switches, slide switches, and wafer control knobs. I mean, how much more cool can you get? If only back then we had known about truss rods, set up, and intonation. Most of us just assumed the instrument as we got it from the store was set up like it was supposed to be.
Yeah. But intonation was a crapshoot with the mostly two saddle bridges. I used a tuning fork to help tune up. E on the D string.

But it was so much fun!
 
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