Pat doesn't do this unless specifically requested, but Marty Bell would send a pic on his bench when sending out the "finished" word - nothing fancy.., just a 'teaser'. He also did a small stamp in the neck pocket.
He sent me two of this one to show how light effected it. I requested an 'trans-eggplant over sparkle' - nailed it. It almost looks black in low light.
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This is an un-retouched pic of it with sunlight hitting it. Hands down the best Marty Bell sparkle finish I've ever seen. Originally had an '80s vintage fretless Westone neck.
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I designed and sculpted the original (Gildaxe 5-string SuperB) body which was CNC cloned to make a few later iterations - including this maple Super SLX 4-string.
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Stacked V/T and John East 9v mid-sweep controls / Curtis Novak DarkStar pu & Schaller 3-D bridge anchored to an imbedded brass platform ala Bruce Johnson.
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22 fret/34" scale walnut neck (made by SF master luthier Dan Ransom to my specks), ebony fb, rotary tr, etched brass hs tone-plate with Sperzel locking tuners and brass nut.
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Custom etched-brass neck-plate.
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