He already did.Dude... don't go there....
He is right.
His problem with his J is that..., well..., it's a Jazz.
See, I went with him.








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He already did.Dude... don't go there....








lots of additional subtleties in tone with control of 2 x tones .It also makes a lot more sense for me . I'm sure stacked isn't for everyone but it was just what I was looking for on a J . But I'm not a J guyThe stacked controls would make my jazz more accurate to a real 62. How would that change the sound I'm wondering?
My only real experience with Jazz basses has been my player Mexican I had a set of Hum Canceling Aguilar pickups installed and they are awesome, really clear and punchy. They are split like a P bass pickup but in a straight line jazz form.Thanks for all the help so far. I'm leaning towards trying SD pickups. Also, I'll try playing with the EQ more. So, neck full volume, bridge slightly up, and where should I put the tone?
You solder together the bridge and neck grounds, the bridge hot becomes the new configuration's ground and the neck hot becomes the new hot. And you wire it like a p-bass.
...and then the pickups will probably be out of phase with each other, resulting in a very thin, lifeless sound.
Typical series wiring is: solder the minus side of the neck pickup and the plus side of the bridge pickup together, then use the neck plus for the output, and the bridge minus for the ground. The pickups add together this way, instead of subtracting.
YMMV, but this is how I've always done series wiring...
Dude... don't go there....