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My New Studio Build (perhaps overly detailed)

We got a little bit less here in Tacoma. I always laugh when my Midwest friends laugh at us for how we handle snow. I don't think people realize just how many hills we have in this area, where-as the Midwest is basically a totally flat surface. The highest point in some of those states is the freeway overpass. Good call hunkering down, we ended up having to replace the water heater in my Pops' house over the weekend. Not a fun task in this weather, but we "got 'er done" as that cable dude says.

Glad to hear your studio is back operating in some fashion. It's been way too long without local music and shows and I know I'm itching to just hear something live again. :cool:
 
I don't think people realize just how many hills we have in this area, where-as the Midwest is basically a totally flat surface.

Tell that to the 1000 ft bluffs I live between:p
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Sessions booked for tomorrow (one tune on acoustic guitar, one tune on electric guitar) and Thursday (rescheduled trumpet). Good to be getting back to work.

In semi-related news, I recently demo’d the Neural DSP Archetype Plini amp sim to capture a tone that my studio amp wasn’t capable of delivering on a mix. I liked it so much that I bought it and also the Archetype Cory Wong as well. I’d been hearing that Neural DSP does good work and that turns out to be very true. Easily my favorite amp sims I’ve ever heard. I usually capture a DI on guitar tracks as a safety anyway, so this is one more color option to easily consider at mixdown.
 
I've been using the Sknote Distressor emulation plugin for my 'VX Crush' buss for a while now. I used to use either the Softube FET or the Waves CLA-76, both of which are 1176 emulations but stopped since they tend to fall apart at high levels of GR, whereas the Distressor holds up quite a bit better. I've always greatly disliked the Sknote plugin's interface, but it sounds okay. This morning I see that Softube has just put out an officially licensed Empirical Labs series of plugins including the Distressor. This appears to be the first fully native and non-UA Distressor to be available since Empirical established their licensing agreement with UA. Either that agreement has lapsed, or maybe just the exclusive aspects of it have lapsed. Now Empirical happens to have partnered with my favorite plugin developer to move things forward in a native format. This is a good thing overall, and a bad thing for my wallet. I just bought some Neural DSP stuff and now I'll be buying more Softube stuff. At some point the purchases will end... okay, that's obviously a lie. :p
 
Pretty much every studio has a Distressor these days. I saw the Softube one today and it’s offered at a pretty good sale price. It never hurts to get a demo version. You’ll find out if you can live without it. :laugh:
I already know that I can live without it since the Sknote one I already own sounds pretty okay. I just hate the plugin's GUI. Maybe the Softube one will sound better, but as long as it sounds the same and the GUI is actually easy to understand I'll end up buying it. It's currently $199. I've paid far more for other plugs :p
 
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Waves always offers and additional discount code (YNY23), 10% helps. Don’t know about Softube. Still, $199 is a lot of money if there isn’t an urgent need for it.
Softube does these rolling discounts. It changes from week to week and you they don't advertise them in advance. I think it's just to drive traffic onto their website repeatedly. It works. I check back every week, haha. They also do all the typical black Friday, cyber Monday, etc. type of deals which are usually a more substantial discount than the weekly discounts.
 
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Demolition Day Two:

The following week the mixed debris recycling container was picked up and the concrete container was dropped off in its place. When the weekend arrived I still had cuts and scrapes from the first round of demo, but knew I had to get rid of all the concrete the thing was sitting on. I rented a jackhammer from Home Depot along with some new safety glasses, heavier duty gloves to handle the concrete once it was turned into rubble, and some construction ear plugs as I didn’t want to use my fancy musician’s ear plugs for this type of task.

The start of the day when things still looked peaceful.
View attachment 2417841

Near the end of the prior demolition day, one of my tasks was to determine what I’d gotten myself into in terms of the concrete demolition. The perimeter of the foundation was all 8” CMU blocks. Typically these are stacked in an offset pattern like bricks, rebar is run through the holes, and then they’re backfilled with sand. I took the sledgehammer, then the wrecking bar and quickly pried the block on the northeast corner of the slab loose. A quick kick and I was able to see the exposed edge of the poured slab. What I was researching was whether or not the blocks were containing dirt backfill with a slab floating on top, or if the whole thing was filled with concrete. In modern days it would be absurd to use that much concrete when dirt is so much cheaper, but remember that this was built in 1946 when concrete was super cheap, or so I’m told by the construction engineers in my office. This was going to have a major impact on the cost of the job, as well as my ability to do it without hiring a contractor. I was pleasantly surprised when I discovered not only that it was dirt backfilled, but also that the slab was a mere 2-3” thick and appeared to have no reinforcing bars or mesh installed. Things were looking up!

This? This is doable.
View attachment 2417842

Fast forward to concrete demo day. I was a little nervous about operating the jackhammer, having never done it before. There’s a bit of a learning curve with that particular tool. I was also surprised, although in retrospect I shouldn’t have been, at how taxing it is to your hands and wrist to operate one. By the end of the process my fingers were stiff and everything ached from my fingertips to halfway down forearms. It was really quite a miserable experience.

My research suggested that the most efficient way of jackhammering concrete was to start on a corner and work out from there while utilizing any angular breaks in the surface of the concrete. Once you had one “course” busted up you go back through and clear it out so that the subsequent course has room to move out from the larger, still intact piece. Made sense to me, and I didn’t have the experience to argue. I took to breaking loose the entire top row of blocks. This was a breeze. It took ten minutes to remove the entire top row. To say that my spirits were high would be an understatement. I proceeded on as described from the corners of the slab. It was considerably more difficult than the blocks, but it wasn’t bad. I was making great progress, but I knew that my initial plan of having it done in one day was simply not possible. The jackhammer wore me out rapidly. I had planned on hammering until 5:00pm when the noise to the surrounding neighbors would be rude considering the evening was beginning. By 2:30pm I was cooked. The sun was blazing for Seattle, I was tired, everything ached, and my wife was basically pleading with me to stop for the day. As per usual, she’s quite a bit smarter than me and I finally acquiesced to her. I should have stopped about an hour before because my last 5-10 courses saw me get both greedy and lazy. I was too tired to take the time to properly clear a finished course and just kept hammering. What happens when there isn’t room for the concrete to move is that the pieces that break loose get progressively smaller and smaller. The end of the day was spent picking up handfuls of these continuously reducing in size pieces that were a pain in the butt. They weren’t as heavy, but when you have to make three trips to cover the space of one done correctly (i.e. clear the area from the previous course before starting a new one) it makes the cleanup take a whole heck of a lot longer.

When your wife is telling you that there’s no point in killing yourself to get something done that can be finished tomorrow… Listen to her.
View attachment 2417843

We cleaned up everything for the night and proceeded to pass out a little earlier than normal. The next day I was determined to not have the process take the entire afternoon. I got to hammering and in no time had the slab finished off. A few loads and the whole thing was in the concrete container. It was certainly happy times.

Getting close to finished now!
View attachment 2417844

Remember that block wall I mentioned previously? I was excited to go at this thing. My plan? Take my mattock, which is a tool that has a pick axe on one side and a… ahem… hoe on the other, and using that I would dig a small trench on the inside face of the wall. That would free up enough room for me to give it a good whack or two with the sledge. That should loosen up the sand and the joints enough to be able to remove the rebar tying everything together. Once that was gone a few more obligatory thumps with Mr. Sledge and the whole thing should come crashing down in a very satisfying display. This amount of preamble should be your cue to start giggling. I took one smack with the sledge and all it did was make me hurt. The wall smiled back and I swear I heard it snickering. I gave it another whack, then a smack, then one last crack and said “Oh screw this!” My wife walks over and (remember the part where I said she’s smarter than me?) brushes away the dirt on top of the blocks. She asks me what the holes were supposed to be filled with. I told her that it was commonly sand. She does some more clearing to reveal that these had no less than two #4 bars in each hole of the blocks (three holes per block) and all of them were filled with concrete. Full stop. This level of demo now exceeds the capability of my sledgehammer, wrecking bar and jackhammer. I was also running out of time as the week was about to start anew and I had to go back to my pesky day job. I had won the battle, but lost the war. I decided that rather than killing myself to bring the walls down I would instead hire someone to do the final demolition and haul away the approximately 13.3 cubic yards of dirt encased within.
Hahahaha, that was awesome!! Dude, you ever thought of joining the union for demo?

Real though, killer job man.
 
Hahahaha, that was awesome!! Dude, you ever thought of joining the union for demo?

Real though, killer job man.
I did plenty of demo when I was in college working as the grunt for a roofing company. Tearing off roofs was no picnic. Those days are long behind me, thankfully, and I can now do engineering every day as opposed to grueling labor. Admittedly there are some days on certain projects where I’d much rather be out doing something physical.

Thanks!
 
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I did plenty of demo when I was in college working as the grunt for a roofing company. Tearing off roofs was no picnic. Those days are long behind me, thankfully, and I can now do engineering every day as opposed to grueling labor. Admittedly there are some days on certain projects where I’d much rather be out doing something physical.

Thanks!
Yup, I've torn off quite a few roofs myself.
 
For my purposes the Sknote Disto-S won out over the new Softube ELI Mike-E Comp. I still hate the GUI of the Sknote plug, but for absolutely pancaking all the vocals in a mix in parallel it tends to hold up quite a bit better than the Softube version. Not apples to apples since the Softube doesn't offer a 20:1 ratio and only has a "Nuke" setting and I didn't bother to read the manual as to the specific ratio once I heard it falling apart at high GR much like an 1176. I should be glad that I don't "need" to spend money on a new plug to replace one I already I own. I still hate that Sknote GUI though :smug:

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I've been using the Sknote Distressor emulation plugin for my 'VX Crush' buss for a while now. I used to use either the Softube FET or the Waves CLA-76, both of which are 1176 emulations but stopped since they tend to fall apart at high levels of GR, whereas the Distressor holds up quite a bit better. I've always greatly disliked the Sknote plugin's interface, but it sounds okay. This morning I see that Softube has just put out an officially licensed Empirical Labs series of plugins including the Distressor. This appears to be the first fully native and non-UA Distressor to be available since Empirical established their licensing agreement with UA. Either that agreement has lapsed, or maybe just the exclusive aspects of it have lapsed. Now Empirical happens to have partnered with my favorite plugin developer to move things forward in a native format. This is a good thing overall, and a bad thing for my wallet. I just bought some Neural DSP stuff and now I'll be buying more Softube stuff. At some point the purchases will end... okay, that's obviously a lie. :p

Excellent. I’ve always wanted a Distressor plug-in but didn’t want to go full UA to do so. Now where did I put my credit card?
 
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Excellent. I’ve always wanted a Distressor plug-in but didn’t want to go full UA to do so. Now where did I put my credit card?
The Mike-E is a little different than a Distressor. It’s attack time range is different and it has a preamp stage strapped to it. See my other comparison post and note that I didn’t switch to the Softube version and am still using Sknote Disto-S.
 
Did a session right before the pandemic lockdown to effect. The drummer brought a non-ported bass drum and didn't want to port it for the session. No biggie. It sounded nice and tight in the room, so I convinced myself that I didn't need to mic the beater side of the kit. I'm finally getting to mix the session after waiting for some missing parts that we couldn't record while locked down. Well, here I am REALLY wishing I'd thrown a 57 on the beater side of the kick as everything captured is pretty darn boomy. As a result I'm using a noise gate into Melodyne Assistant to convert the audio of the bass drum to MIDI and then sample augmenting the whole thing. Not the way I wanted it to go, but if the end result is a good sounding mix then I'll be happy with it. Lesson learned though. No port on the bass drum? Don't question it and just mic the beater side of the kit in addition to the normal BD mics.