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Something it looks like most above responses have missed: from the OP's verbiage it seems this school is a FOR-PROFIT FRANCHISE kind of operation, not a "school" in the usual sense. Not saying don't try to help out but it does put a different slant on the finances. Just fyi...
ThisMaybe you could talk to a local music store into sponsoring the school.
If they could supply an amp or two for a mention in the program?
What exactly is a franchise school? That’s a new one for me.
Is that some special type of public school similar to what’s called a charter or magnet school where I live? Or is it a commercially operated school (hence the word franchise) that’s being run as a business for profit?
I know of Montessori and Waldorf schools which I suppose are Now called franchise schools because they have a model and a governing philosophy that's intact school to school. ..While new schools are sprouting in reaction to perceived biases (like multiculturalism) in public schools as well. The commercials sector has moved in too, actually I got my assoc. degree at a computer trade school that was a franchise. I can even imagine crummy shoe string franchises popping up in places where the public option is just lousy.What exactly is a franchise school? That’s a new one for me.
Is that some special type of public school similar to what’s called a charter or magnet school where I live? Or is it a commercially operated school (hence the word franchise) that’s being run as a business for profit?
Hi all. My stepdaughter that I regard as my own is participating in a franchised school that emphasizes band practice and playing live. She takes concentrated singing lessons from them, but not Bass. She has started playing bass and learning songs they assign and making great progress. When she feels comfortable time wise I intend to get her private Bass lessons as well. So far very happy with her progress.
My issue is their live sound. She has performed in 3 live concerts I think. They use the cheapest SS tiny Fender amps that you can think of. They are using a Rumble something that sounds pretty good and cuts through depending on the player of course. Some are good and play with confidence and others are working on it. The guitar sound is the worst gutless crap I have ever heard. Last week they took the bass out of the mix and there was nothing.
Now I have never been a fan of the Fender distortion in their cheap amps. Their tube amps are another discussion. So maybe I am a little biased.
I am thinking of sending an email to the director with the suggestion of upgrading the guitar amps at least for live performances. I understand budgets, business etc and I don't want to be "that guy". I also understand how good it felt to play through good gear when I was not used to it. I certainly have enough sense to do it in an assertive, complementary and diplomatic manner. I don't really communicate with them normally as my wife does that, but she is tone deaf. They have been in business here maybe 2 years.
I am not talking Marshall stacks, but certainly there is infinitely better gear for short money. What say you?
Hi all. My stepdaughter that I regard as my own is participating in a franchised school that emphasizes band practice and playing live. She takes concentrated singing lessons from them, but not Bass. She has started playing bass and learning songs they assign and making great progress. When she feels comfortable time wise I intend to get her private Bass lessons as well. So far very happy with her progress.
My issue is their live sound. She has performed in 3 live concerts I think. They use the cheapest SS tiny Fender amps that you can think of. They are using a Rumble something that sounds pretty good and cuts through depending on the player of course. Some are good and play with confidence and others are working on it. The guitar sound is the worst gutless crap I have ever heard. Last week they took the bass out of the mix and there was nothing.
Now I have never been a fan of the Fender distortion in their cheap amps. Their tube amps are another discussion. So maybe I am a little biased.
I am thinking of sending an email to the director with the suggestion of upgrading the guitar amps at least for live performances. I understand budgets, business etc and I don't want to be "that guy". I also understand how good it felt to play through good gear when I was not used to it. I certainly have enough sense to do it in an assertive, complementary and diplomatic manner. I don't really communicate with them normally as my wife does that, but she is tone deaf. They have been in business here maybe 2 years.
I am not talking Marshall stacks, but certainly there is infinitely better gear for short money. What say you?
Who cares? They're kids. Let it be. Don't be that guy. If they had good gear, they'd be a bunch of kids, learning, sounding like crap, playing good gear. Enjoy your kids playing. Regardless of how bad it sounds.Hi all. My stepdaughter that I regard as my own is participating in a franchised school that emphasizes band practice and playing live. She takes concentrated singing lessons from them, but not Bass. She has started playing bass and learning songs they assign and making great progress. When she feels comfortable time wise I intend to get her private Bass lessons as well. So far very happy with her progress.
My issue is their live sound. She has performed in 3 live concerts I think. They use the cheapest SS tiny Fender amps that you can think of. They are using a Rumble something that sounds pretty good and cuts through depending on the player of course. Some are good and play with confidence and others are working on it. The guitar sound is the worst gutless crap I have ever heard. Last week they took the bass out of the mix and there was nothing.
Now I have never been a fan of the Fender distortion in their cheap amps. Their tube amps are another discussion. So maybe I am a little biased.
I am thinking of sending an email to the director with the suggestion of upgrading the guitar amps at least for live performances. I understand budgets, business etc and I don't want to be "that guy". I also understand how good it felt to play through good gear when I was not used to it. I certainly have enough sense to do it in an assertive, complementary and diplomatic manner. I don't really communicate with them normally as my wife does that, but she is tone deaf. They have been in business here maybe 2 years.
I am not talking Marshall stacks, but certainly there is infinitely better gear for short money. What say you?
Shoestring budgets get shoestring sound. If you want better sound then donate some amps and money for better sound.
I'd Never expect an elementary or middle school performance to sound good. They have a tradition of sounding awful, nobody notices because it's not important.
The commercials sector has moved in too, actually I got my assoc. degree at a computer trade school that was a franchise.